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Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever.Written by
Dan Hartung <firstname.lastname@example.org>
Jean-Claude Carrière's original script deviated drastically from the final film version. Philip Kaufman feared it was too "arty" for a commercial audience. Milan Kundera read Carrière's original script after seeing the film and said, "That's how it should be done." See more »
While nowadays, many people in the Czech Republic wear wedding bands on the left hand, back in 1968 they would have worn them on their right hand regardless of their political stance. Both of the main characters are shown in the movie to wear their wedding bands on the left hand as they would have in the U.S., not Czechoslovakia. See more »
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Take off your clothes.
[line recurs several times during film]
See more »
Unbearably Beautiful - one of the best films ever made
One of the most romantic films ever made, it shows the problems of people whose intimacies and personal conflicts are being interrupted by history on the move. I think this film surpasses the novel, which is utterly cynical (although understandably). Even in the last moments of the novel, Teresa is concerned that Tomas is cheating on her. The film also does well by dropping much of Franz's character - he was kind of uninteresting compared to Teresa, Tomas, and Sabina. It also drops such deadweight characters as Teresa's mother, Tomas' son, and Franz's wife. Also, a ton of different coworkers are combined into a few, so that their characters have time to develop. By concentrating on the three central characters, this film blossoms past what the novel ever achieved (although the novel is arguably more historically important). Philip Kaufman and Jean-Claude Carriere also add a couple of beautiful scenes that weren't in the novel, including Tomas' and Teresa's wedding, which is one of the most beautiful scenes in filmdom.
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