A tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
Director:
Martin Scorsese
Stars:
Daniel Day-Lewis,
Michelle Pfeiffer,
Winona Ryder
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Director:
James Ivory
Stars:
Maggie Smith,
Helena Bonham Carter,
Denholm Elliott
During a holiday study in France, a girl meets the great love of her life, but the boy is involved in terrorist activities and that puts serious crisis on their relationship.
Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against caries, but also against fear, ignorance, ... See full summary »
Director:
Carlos Sorin
Stars:
Daniel Day-Lewis,
Mirjana Jokovic,
Gabriela Acher
A British art expert travels across America in order to purchase a rare Renoir painting in the South but comes across some crazy characters in the process.
Director:
Pat O'Connor
Stars:
Daniel Day-Lewis,
Harry Dean Stanton,
Kent Broadhurst
Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever.Written by
Dan Hartung <dhartung@mcs.com>
Jean-Claude Carrière's original script deviated drastically from the final film version. Philip Kaufman feared it was too "arty" for a commercial audience. Milan Kundera read Carrière's original script after seeing the film and said, "That's how it should be done." See more »
Goofs
While nowadays, many people in the Czech Republic wear wedding bands on the left hand, back in 1968 they would have worn them on their right hand regardless of their political stance. Both of the main characters are shown in the movie to wear their wedding bands on the left hand as they would have in the U.S., not Czechoslovakia. See more »
Quotes
[first lines]
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Tomas:
Take off your clothes.
[line recurs several times during film]
See more »
One of the most romantic films ever made, it shows the problems of people whose intimacies and personal conflicts are being interrupted by history on the move. I think this film surpasses the novel, which is utterly cynical (although understandably). Even in the last moments of the novel, Teresa is concerned that Tomas is cheating on her. The film also does well by dropping much of Franz's character - he was kind of uninteresting compared to Teresa, Tomas, and Sabina. It also drops such deadweight characters as Teresa's mother, Tomas' son, and Franz's wife. Also, a ton of different coworkers are combined into a few, so that their characters have time to develop. By concentrating on the three central characters, this film blossoms past what the novel ever achieved (although the novel is arguably more historically important). Philip Kaufman and Jean-Claude Carriere also add a couple of beautiful scenes that weren't in the novel, including Tomas' and Teresa's wedding, which is one of the most beautiful scenes in filmdom.
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One of the most romantic films ever made, it shows the problems of people whose intimacies and personal conflicts are being interrupted by history on the move. I think this film surpasses the novel, which is utterly cynical (although understandably). Even in the last moments of the novel, Teresa is concerned that Tomas is cheating on her. The film also does well by dropping much of Franz's character - he was kind of uninteresting compared to Teresa, Tomas, and Sabina. It also drops such deadweight characters as Teresa's mother, Tomas' son, and Franz's wife. Also, a ton of different coworkers are combined into a few, so that their characters have time to develop. By concentrating on the three central characters, this film blossoms past what the novel ever achieved (although the novel is arguably more historically important). Philip Kaufman and Jean-Claude Carriere also add a couple of beautiful scenes that weren't in the novel, including Tomas' and Teresa's wedding, which is one of the most beautiful scenes in filmdom.