A tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
Director:
Martin Scorsese
Stars:
Daniel Day-Lewis,
Michelle Pfeiffer,
Winona Ryder
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Director:
James Ivory
Stars:
Maggie Smith,
Helena Bonham Carter,
Denholm Elliott
During a holiday study in France, a girl meets the great love of her life, but the boy is involved in terrorist activities and that puts serious crisis on their relationship.
Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against caries, but also against fear, ignorance, ... See full summary »
Director:
Carlos Sorin
Stars:
Daniel Day-Lewis,
Mirjana Jokovic,
Gabriela Acher
A British art expert travels across America in order to purchase a rare Renoir painting in the South but comes across some crazy characters in the process.
Director:
Pat O'Connor
Stars:
Daniel Day-Lewis,
Harry Dean Stanton,
Kent Broadhurst
Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever.Written by
Dan Hartung <dhartung@mcs.com>
Milos Forman personally offered to Philip Kaufman the opportunity to direct the movie after hearing that studios were interested in making a film adaptation of Milan Kundera's successful novel. Forman had to pass the chance to direct it himself because he had family in Czechoslovakia and he feared for them in case of a possible negative reaction from the Soviet government, who were occupying the country at the time. See more »
Goofs
When the man from Ministry from Interior was urging Tomas to sign the statement, Tomas clearly mouthed "it's bullsh*t" but no audio can be heard. See more »
Quotes
[first lines]
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Tomas:
Take off your clothes.
[line recurs several times during film]
See more »
One of the most romantic films ever made, it shows the problems of people whose intimacies and personal conflicts are being interrupted by history on the move. I think this film surpasses the novel, which is utterly cynical (although understandably). Even in the last moments of the novel, Teresa is concerned that Tomas is cheating on her. The film also does well by dropping much of Franz's character - he was kind of uninteresting compared to Teresa, Tomas, and Sabina. It also drops such deadweight characters as Teresa's mother, Tomas' son, and Franz's wife. Also, a ton of different coworkers are combined into a few, so that their characters have time to develop. By concentrating on the three central characters, this film blossoms past what the novel ever achieved (although the novel is arguably more historically important). Philip Kaufman and Jean-Claude Carriere also add a couple of beautiful scenes that weren't in the novel, including Tomas' and Teresa's wedding, which is one of the most beautiful scenes in filmdom.
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One of the most romantic films ever made, it shows the problems of people whose intimacies and personal conflicts are being interrupted by history on the move. I think this film surpasses the novel, which is utterly cynical (although understandably). Even in the last moments of the novel, Teresa is concerned that Tomas is cheating on her. The film also does well by dropping much of Franz's character - he was kind of uninteresting compared to Teresa, Tomas, and Sabina. It also drops such deadweight characters as Teresa's mother, Tomas' son, and Franz's wife. Also, a ton of different coworkers are combined into a few, so that their characters have time to develop. By concentrating on the three central characters, this film blossoms past what the novel ever achieved (although the novel is arguably more historically important). Philip Kaufman and Jean-Claude Carriere also add a couple of beautiful scenes that weren't in the novel, including Tomas' and Teresa's wedding, which is one of the most beautiful scenes in filmdom.