Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever.Written by
Dan Hartung <email@example.com>
Milos Forman personally offered to Philip Kaufman the opportunity to direct the movie after hearing that studios were interested in making a film adaptation of Milan Kundera's successful novel. Forman had to pass the chance to direct it himself because he had family in Czechoslovakia and he feared for them in case of a possible negative reaction from the Soviet government, who were occupying the country at the time. See more »
When Tereza is on the train after returning to Czechoslovakia, she surrenders her passport and a camera. The camera is a Leica-style rangefinder, not the Praktica SLR she has been using. See more »
First Title Card:
In Prague, in 1968, there lived a young doctor named Tomas...
Take off your clothes.
[line recurs several times during film]
See more »
yeah cheap shot i know, but this movie is a great example of how a collection of signifiers of 'deepness' (political turmoil, love/lust) can be combined haphazardly to great critical acclaim (see also 'american beauty'). kaufman's movie plods along with gratuitous sex scenes interspersed with often painful dialog sequences (in one scene i counted three different 'generic European' accents affected by the actors) and displays of state might run amok, yet fails to tie them together into the coherent meditation kundera offered. and in its over-long three hours it manages almost completely to gloss over franz,the missing fourth piece in the love triangle that lies at the heart of the plot, and in this manner sacrifices the novel's central mechanism of displaying the spectrum of emotions and of power relations that obtain in love affairs. it also fails to even include token screen time for tomas' son, used in the novel to exemplify some of the political points kundera was making in the novel. combined with the overweening soundtrack, these flaws make this movie's three hours unbearably weighty in tone yet light in content.
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