A Sergeant must deal with his desires to save the lives of young soldiers being sent to Viet Nam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old Army buddy.
Director:
Francis Ford Coppola
Stars:
James Caan,
Anjelica Huston,
James Earl Jones
Rusty James, an absent-minded street thug struggles to live up to his legendary older brother's reputation, and longs for the days when gang warfare was going on.
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Director:
Francis Ford Coppola
Stars:
Vincent Gallo,
Alden Ehrenreich,
Maribel Verdú
Shocked by the death of her spouse, a scheming widow hatches a bold plan to get her hands on the inheritance, unaware that she is targeted by an axe-wielding murderer who lurks in the family's estate. What mystery shrouds the noble house?
Director:
Francis Ford Coppola
Stars:
William Campbell,
Luana Anders,
Bart Patton
Based on a true story. Shortly after World War II, Preston Tucker is a grandiose schemer with a new dream, to produce the best cars ever made. With the assistance of Abe Karatz and some impressive salesmanship on his own part, he obtains funding and begins to build his factory. The whole movie also has many parallels with director Coppola's own efforts to build a new movie studio of his own.Written by
Reid Gagle
When they tried to buy him, he refused. When they tried to bully him, he resisted. When they tried to break him, he became an American legend. The true story of Preston Tucker.
Peter Donat plays a lawyer who is in the pocket of a powerful senator. In The Godfather: Part II (1974), he plays a crooked lawyer in the pocket of mobsters. See more »
Goofs
While discussing a new plant, Abe says that the plant is "73 acres long." An acre is a unit of space, not of distance. See more »
Quotes
Preston Tucker:
Isn't that the idea? To build a better mouse trap?
Abe:
Not if you're a mouse!
See more »
Crazy Credits
The opening credits play over footage done in the style of a Tucker promotional film. The 2018 Blu-ray Disc release of the film includes the actual promo film as a bonus feature, with optional Francis Ford Coppola commentary. See more »
Alternate Versions
2018 Blu-ray Disc release features a newly-film introduction to the film by director Francis Ford Coppola. See more »
Let the Rest of the World Go By
Written by Ernest Ball (as Ernest R. Ball) and J. Keirn Brennan (as J.K. Brennan)
Courtesy of Warner Brothers Music, a division of Warner Brothers, Inc. See more »
Tucker: The Man and His Dream is a good spirited story of perseverance, loyalty, honor, and integrity from legendary director Francis Ford Coppola. Coppola's name is synonymous with landmark cinema that changed the face of the film industry forever with classics like The Godfather and Apocalypse Now. This movie is obviously not of that caliber, but it is an enjoyable experience nonetheless. In it, a thinner, younger, and clean shaven Jeff Bridges plays Preston Tucker, a likable businessman who had big ideas for the auto industry that would ultimately lead to bigger consequences. It's a true story about how one man tried to change the auto industry after World War II by creating the greatest car ever made. His financial support in the booming big government economy after WWII is an issue, but he perseveres through it all with the goal of achieving what others say is impossible. It's a happily inspiring tale, performed excellently by Mr. Bridges, one of my all time favorite actors.
Coppola shows in this movie that he can still be a fine director without the backing of a gangster or Vietnam war epic. He has a straightforward directing style for this straightforward film, but it doesn't fault a movie that mainly focuses on character and plot, rather than visual aesthetic. However, the film did get nominated at the Academy Awards for best Art Direction and Costume Design, and deservedly so. Tucker: The Man and His Dream is a period piece, and everything about the film stays true to its time frame. It is always interesting to see such a specific time period like the 1940's projected through an 80's lens, and Tucker: The Man and His Dream does a captivating job at this. The costumes are interesting and relevant, along with the set design and of course the cars. And it is all backed by a fantastic early 1900's jazz soundtrack.
The story itself stays mildly interesting the whole way through. It lags in some spots where not as much is happening, but it sets up for a great climax with a beautifully inspirational speech delivered by Bridges. The flow and pacing of the film has its noticeable issues and parts felt slightly choppy. The beginning of the film starts out with an infomercial/historical newsreel quirk that is very creative, but practically abandoned by the end of the film. Despite some minor flaws nothing significantly deteriorates the overall quality of the film.
Tucker: The Man and His Dream is a solid film that anyone can at least find mildly interesting, since it is based on a true story after all. Putting this film into today's perspective, it is still relevant and interesting what with all the auto industry crises going on today and how I'm sure we all wish we somebody as steadfast and innovative as Preston Tucker could pick the industry back up on its feet. I commend a film if it makes me think in terms of current events, so kudos to this film. I will say that as a Coppola film, it's nothing too special. I would obviously recommend the first two Godfathers and Apocalypse Now long before Tucker: The Man and His Dream. But as just another film, this movie is plenty enjoyable and interesting to watch.
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Tucker: The Man and His Dream is a good spirited story of perseverance, loyalty, honor, and integrity from legendary director Francis Ford Coppola. Coppola's name is synonymous with landmark cinema that changed the face of the film industry forever with classics like The Godfather and Apocalypse Now. This movie is obviously not of that caliber, but it is an enjoyable experience nonetheless. In it, a thinner, younger, and clean shaven Jeff Bridges plays Preston Tucker, a likable businessman who had big ideas for the auto industry that would ultimately lead to bigger consequences. It's a true story about how one man tried to change the auto industry after World War II by creating the greatest car ever made. His financial support in the booming big government economy after WWII is an issue, but he perseveres through it all with the goal of achieving what others say is impossible. It's a happily inspiring tale, performed excellently by Mr. Bridges, one of my all time favorite actors.
Coppola shows in this movie that he can still be a fine director without the backing of a gangster or Vietnam war epic. He has a straightforward directing style for this straightforward film, but it doesn't fault a movie that mainly focuses on character and plot, rather than visual aesthetic. However, the film did get nominated at the Academy Awards for best Art Direction and Costume Design, and deservedly so. Tucker: The Man and His Dream is a period piece, and everything about the film stays true to its time frame. It is always interesting to see such a specific time period like the 1940's projected through an 80's lens, and Tucker: The Man and His Dream does a captivating job at this. The costumes are interesting and relevant, along with the set design and of course the cars. And it is all backed by a fantastic early 1900's jazz soundtrack.
The story itself stays mildly interesting the whole way through. It lags in some spots where not as much is happening, but it sets up for a great climax with a beautifully inspirational speech delivered by Bridges. The flow and pacing of the film has its noticeable issues and parts felt slightly choppy. The beginning of the film starts out with an infomercial/historical newsreel quirk that is very creative, but practically abandoned by the end of the film. Despite some minor flaws nothing significantly deteriorates the overall quality of the film.
Tucker: The Man and His Dream is a solid film that anyone can at least find mildly interesting, since it is based on a true story after all. Putting this film into today's perspective, it is still relevant and interesting what with all the auto industry crises going on today and how I'm sure we all wish we somebody as steadfast and innovative as Preston Tucker could pick the industry back up on its feet. I commend a film if it makes me think in terms of current events, so kudos to this film. I will say that as a Coppola film, it's nothing too special. I would obviously recommend the first two Godfathers and Apocalypse Now long before Tucker: The Man and His Dream. But as just another film, this movie is plenty enjoyable and interesting to watch.