A Sergeant must deal with his desires to save the lives of young soldiers being sent to Viet Nam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old Army buddy.
Francis Ford Coppola
James Earl Jones
Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship.... See full summary »
Based on a true story. Shortly after World War II, Preston Tucker is a grandiose schemer with a new dream, to produce the best cars ever made. With the assistance of Abe Karatz and some impressive salesmanship on his own part, he obtains funding and begins to build his factory. The whole movie also has many parallels with director Coppola's own efforts to build a new movie studio of his own.Written by
Four Tucker replicas on 1974 Ford chassis were constructed for the film. One of these, in Tucker-trademark Waltz Blue color, has been donated to the Ypsilanti (MI) Automotive History Collection by members of the family of Preston Tucker. See more »
The transport plane that the car is loaded into on the ground is a C-123 Provider, which made its first flight in October, 1949. The particular variant depicted (with jet pods) did not appear until the 1960s. The air-to-air footage shows a different airplane, a DHC-4 Caribou, which first flew in 1958. See more »
... When I was a little kid, maybe five years old, in the old country, my mother used to say to me; she'd warn me, she'd say, 'Don't get too close to people. You'll catch their dreams... '... Years later, I realized I misunderstood her... 'Germs', she said, not 'dreams', 'You'll catch their *germs*'...
[they both laugh]
I want you to know something, Tucker. I went into business with you for one reason - to make money. That's all... How was I to know...
[chokes up, head down]
... if I ...
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Photographs of the real Preston Tucker appear during the closing credits. See more »
2018 Blu-ray Disc release features a newly-film introduction to the film by director Francis Ford Coppola. See more »
Coppola's dream as much as Tucker's, the story of two or three visionaries
Francis Ford Coppola first thought of making Tucker as a dark Brechtian musical back in the 70s and went so far as to have Leonard Bernstein think about the music. When he actually made the film in 1987, Joe Jackson provided the hopped-up big band licks and gave Mr. Coppola his best score since Rumblefish. No matter -- it's as much a director's biography in hidden form as ever there was, Fellini, Bergman, and Woody Allen notwithstanding. Mr. Coppola is the visionary who tried to buck the system and almost succeeded only to be brought down by forces, real and imagined, that control the way things run. Preston Tucker had a rocket ship of a car with turnable headlights and seat belts; Mr. Coppola had great movies about wiretappers, the nightmare of war, and a silly bit of off-beat stuff about lovers in Vegas. The specific points of such a parallel biography need not be driven into the ground here -- suffice it to say that one can imagine a young Francis telling his younger, equally visionary associate and design nut George Lucas (executive producing here) to grow a beard -- just as Jeff Bridges, in a career-highlight performance, tells his engineer played by Elias Koteas. Lovely Joan Allen plays Tucker's devoted, whip-smart wife -- an Eleanor substitute -- and Christian Slater is Tucker's eldest son, perhaps a stand-in for Coppola's son, Gio, who died before the film was made and to whom it is dedicated. Brash, fun, funny, melodramatic -- a visual feast that plays on 40s and 50s conventions -- Tucker: the Man and His Dream couldn't be a better collaboration between visionaries: Coppola, Lucas, and Preston Tucker.
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