Sequel to "Tetsuo" this time has the Iron Man transforming into cyberkinetic gun when a gang of vicious skinheads kidnap his son. When the skinheads capture him, they begin to experiment on... See full summary »
Losing his son Tom in a hit and run triggers violent emotions in Anthony, whose body begins to transform. When the driver who killed Tom reappears, Anthony mutates into a mass of metal - a human weapon fuelled by an uncontrollable rage.
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The story of a single mother who suffers from double vision; caring for her baby is a nerve-wrecking task that eventually leads her to a nervous breakdown. She is suspected of being a child... See full summary »
After a tragic car accident where his girlfriend Ryôko Ooyama (Nami Tsukamoto) died, Hiroshi Takagi (Tadanobu Asano) suffers amnesia with his memories completely blanked. When he sees a ... See full summary »
Hikari is a boy who is bullied and teased by the other boys at school because he has the odd distinction of having an electricity pole growing out of his back. However, one of his ... See full summary »
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of disease that is turning his body into scrap metal, and that his nemesis is not in fact dead but is somehow masterminding and guiding his rage and frustration-fueled transformation.Written by
Serdar Yegulalp <email@example.com>
Manga-influenced man vs. machine Japanese scifi film with a razor-sharp visual style
It's so visually striking that you could never fully describe Tetsuo in words. But here are a few that apply: Japanese, hyperactive, perverse, industrial, surreal, Faustian bargain, contrasty, black-and-white, Kafkaesque, scifi, stop-motion, manga-influenced, revenge, technology, alienation, supervillains.
Shinya Tsukamoto is an actor (he's the antagonistic "Metals Fetishist" here as well as Jijii in Ichi the Killer) as well as a ground-breaking writer/director/cinematographer. Tetsuo's influence can be seen clearly in directors as diverse as Darren Aronofsky, Takashi Miike, and even David Cronenberg.
There is definitely a plot, but due to the non-linear editing and sparsity of dialogue you'll need to pay close attention on a first viewing or else you'll be overwhelmed by the engrossing visual style (which might be a good thing). It's filmed in contrasty black-and-white. Each frame is cramped and chaotic, much of the time it's filled with wires, pipes, chain-link fences, and all the other incidental debris of life in the late 20th century... which suddenly seems significant and even menacing.
Towards the fifty-minute mark (it's 67 min. total) the willful excess starts to feel a little too excessive, perhaps the manga influence is a bit too strong. But Tetsuo finishes strong, with an end that's at once unexpected and inevitable. Highly recommended.
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