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Testimony (1987)

Not Rated | | Biography, Drama, History | November 1988 (USA)
The story of the great Soviet Composer Dmitri Shostakovich (1906-1975) and his life and career during the rule of Stalin.

Director:

Tony Palmer
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Cast

Cast overview, first billed only:
Ben Kingsley ... Dmitri Shostakovich
Sherry Baines ... Nina Shostakovich
Magdalen Asquith Magdalen Asquith ... Galya Shostakovich
Mark Asquith Mark Asquith ... Maxim Shostakovich
Terence Rigby ... Joseph Stalin
Ronald Pickup ... Marshall Tukhachevsky
John Shrapnel ... Andre Zhdanov
Robert Reynolds Robert Reynolds ... Brutus
Vernon Dobtcheff ... Gargolovsky
Colin Hurst Colin Hurst ... Stalin's Secretary
Joyce Grundy Joyce Grundy ... Stalin's Mother
Mark Thrippleton Mark Thrippleton ... Young Stalin
Liza Goddard Liza Goddard ... The English Humanist
Peter Woodthorpe ... Alexander Glazunov
Robert Stephens ... Vsevolod Meyerhold
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Storyline

The story of the great Soviet Composer Dmitri Shostakovich (1906-1975) and his life and career during the rule of Stalin.

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »
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Details

Language:

English

Release Date:

November 1988 (USA) See more »

Also Known As:

Testemunho See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The scene where Shostakovich and Tukhachevsky discuss Russia's 'special relationship' with Finland, saying that this means the Finns have to grant Russia military bases whether they want to or not, would remind a 1980s audience of the presence of American bases in Britain. See more »

Goofs

When Shostakovich imagines Stalin speaking to him on his deathbed, the position of his head moves between shots. See more »

Quotes

[last lines]
Dmitri Shostakovich: Ask me nothing any more. Ask the music.
See more »

Crazy Credits

By the time of his death, August 9, 1975, Dmitri Dmitrievich Shostakovich, People's Artist of the Soviet Union, had completed 15 Symphonies, 15 String Quartets, 4 Operas and 45 Ballets and Film Scores; in all, at least 147 works. By the time of his death, March 5, 1953, Joseph Vissarionovich Stalin, Marshal of the Soviet Union, had murdered, or caused to be put to death, in peacetime, in all, at least 30 million people. See more »

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User Reviews

 
Heavy Stuff, only for intellectuals
26 January 2004 | by SuppiluliomasSee all my reviews

In the western world Shostakovich was always said to be a faithful soviet communist composer. Shortly after Shostakovich's death, Volkov (a friend of Sh.) emigrated to the US, having notes of endless talks with Sh. in the luggage. Volkov published the "memoir's". In this book, Sh. appears the other way round: a silent dissident, a man who fooled the communist authorities, but also a man who suffered dramatically from repressions. Obviously Sh's family and soviet officials took all measures to "prove" the book was a hoax. And even western experts had doubts too. It was not before Sh. son Maxim emigrated, that the discussions about authenticity got new fuel. Today, Volkov's book is widely accepted and trusted.

Back to the film: This was a brave move to make a movie based on this book. There is not much story, just episodes. Perhaps the experimental habit is the only way to approach this challenge. Overall, not a bad effort, but certainly not the big hit. I am not too sure as to whether Ben Kingsley was the best choice, but who knows how Shostakovich really was? In my opinion the music selection is the weak point of the film. Obviously, only the most popular bits and pieces have been used (e.g. symphonies no. 5 and 7, the great pasacaglia from the violin concerto etc.), but this was not in all scenes appropriate. I found it rather disturbing to have this music always in the background, let alone the omission of other important works. The movie focuses on the relationship Shostakovich-Stalin: certainly the most fascinating part of Sh's life. At the end, the movie has an episode on the 13th symphony, which bases on the poem "Babi Jar" by Jevtushenko. This was the only big trouble Sh. got in the time after Stalin - not because of the music but the poem! This episode should have been dropped.

My final verdict: an interesting movie, interesting views on Stalinism and maybe a good approach to Shostakovich's music for people who never heard his music. But, make sure you had enough sleep or there is enough tea or coffee available when you watch it.

I can strongly recommend the book. It is much more enjoyable than the movie.


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