Cast overview, first billed only: | |||
Bernard-Pierre Donnadieu | ... | Raymond Lemorne | |
Gene Bervoets | ... | Rex Hofman | |
Johanna ter Steege | ... | Saskia Wagter | |
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Gwen Eckhaus | ... | Lieneke |
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Bernadette Le Saché | ... | Simone Lemorne |
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Tania Latarjet | ... | Denise |
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Lucille Glenn | ... | Gabrielle |
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Roger Souza | ... | Manager |
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Caroline Appéré | ... | Cashier |
Pierre Forget | ... | Farmer Laurent | |
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Didier Rousset | ... | TV Journalist |
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Raphaëline Goupilleau | ... | Gisele Marzin (as Raphaëline) |
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Robert Lucibello | ... | Teacher |
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David Bayle | ... | Lemorne (16 Years) |
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Doumee | ... | Lady 'Prisunic' (as Doumée) |
Rex and Saskia are on holiday, a young couple in love. They stop at a busy service station and Saskia disappears. Rex dedicates the next three years trying to find her. Then he receives some postcards from her abductor, who promises to reveal what has happened to Saskia. The abductor, Raymond Lemorne, is a chilling character to whom Rex is drawn by his intense desire to learn the truth behind his lovers disappearance. The truth is more sinister than he dared imagine. Written by Matthew Stanfield <mattst@cogs.susx.ac.uk>
After reading several recommendations of Spoorloos (a.k.a. The Vanishing), I went ahead and bought the Criterion DVD release, which, by the way, has no extras. Let me say, I was not disappointed with the movie. If you like well-made, well-directed thrillers, it is definitely worth checking out. The story was simple enough; Rex's girlfriend mysteriously disappears at a gas station they stopped at while on vacation. Cut ahead three years and you still have him searching for her. Due to his persistence, the man responsible finally decides to get involved.
With very little violence and no gore, Spoorloos was able to leave the viewer in a truly depressing state. Some people might call it boring but I found the slow and steady pace to work in favor of the characters, as the acting was top notch. So was the direction of the scenes, which were set up quite nicely. It was interesting to see such attention paid to both the victim and criminal's point of view. You could really understand the desperation, confusion, and obsession that Rex felt with his loss. In turn, you see cold evil in a form that does exist in our world. While maybe not shocking to all viewers, the ending is terrifyingly tragic, made so by the realism and calmness throughout the film. Just ask yourself, how would you feel if that happened to you?
If pushed for a criticism, I would say that some of the symbolism seemed a bit too heavy handed but other then that, this is an intelligent, deep thriller. I have not seen the American remake (oddly enough, both versions are from director George Sluizer) but I can all but guarantee that the original is what you want to go with first. Many people suggest skipping the remake altogether!