Santos attempts to lead a people's revolt in Colombia to overthrow the oppressive El Presidente. When his revolt fails and he is killed, his sister Christina goes to New York to find McBain... See full summary »
Maria Conchita Alonso,
Michael Joseph DeSare
Rita is a tough narc cop with a wig for every occasion. Outside a drug heist scene with several bodies and a hardly cut fatal drug, Fatal Beauty, she finds a Kroll Construction van with a dead Kroll employee in it. Who is Kroll?
A cop is gunned down on Xmas eve. Jerry Beck, the homicide cop given the job of hunting the killer, investigates some leads which bring him into contact with a group of white supremacy ... See full summary »
Penelope Ann Miller,
A Los Angeles psychiatrist testifies for the prosecution in the trial of an accused child molester. Later the defendant, who is out on bail, is found dead in the psychiatrist's office, in ... See full summary »
A young man, Pat, visits the clan of gypsy-like grifters in rural North Carolina who belong to the nomadic ethnic group known as Irish Travellers and from whom he is descended. Pat is at ... See full summary »
Jack N. Green
An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
A drug dealer shoots a corrupt police officer. Though the drug dealer admits his guilt, he pleads self-defense. His lawyer, Roland Dalton, and renegade loner NYPD narcotics agent Richie Marks, pursue evidence in his favor. They encounter difficulties from other corrupt police officers, drug dealers, and various street scum. Dalton's life is further complicated by the fact that the prosecuting attorney is a former lover.Written by
Melissa Portell <email@example.com>
Was released as "Blue Jean Cop' in almost every other country except the US. See more »
[All goofs for this title are spoilers.]
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I know what you're thinkin'! I'm young and quick, and he's old and slow! What are you going to do, asshole?
[Perpetrator turn & runs away. Marks disgusted with himself]
. Dumb fucking question.
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On its first run past the Australian classification board, the film was rated R. To garner a wider audience, Hoyts removed approx. 1 minute of footage so that the film could get an M rating. The footage removed included the "condom" scene with the old jailer, all references to homosexuality and snitches being "turned out", the scene outside the porno theater where the Nicky Carr's right-hand man guns down the bystanders after the cops and the Russian roulette scene in the police station. this footage was never reinstated for the film's VHS or subsequent DVD release. See more »
Enjoyably cliched 80s buddy cop film with more mullets than you can shake a stick at!
I don't think I'd seen this film since it originally came out in the theater. I remember thinking it was pretty ridiculous then, but it's aged better than I'd expected, mainly thanks to it's cast, the use of actual NYC locations, and 80s action film nostalgia value. Peter Weller plays a groovy lawyer and Sam Elliott plays a renegade narcotics detective. It's a cliche ridden story of Weller and Elliott then face off against drug dealers, corrupt police officers, and other assorted low-lifes. The script by writer/director James Glickenhaus is pretty awful, but his action sequences are serviceable. In the film's favor is the fun pairing of Elliott and Weller and also the use of grimy pre-Giuliani NYC locations, including one action sequence filmed at 42nd Street in Times Square when it was still a den of go-go bars, peep shows, and adult theaters. It was certainly a good thing that Giuliani cleaned up the streets of NYC, but when it comes to movies filmed in The Big Apple, I have a fond affection for films like "The Warriors", "Maniac", "Gloria", "C.H.U.D.", "Black Caesar", "Across 110th Street", "Combat Shock", or even Glickenhaus' own "The Exterminator" which all prominently featured the seedy side of the city that never sleeps. Also in the film's favor is that it featured more mullets than any recent action film I can think of outside of "Roadhouse". Overall, "Shakedown" is a highly routine buddy cop picture to the degree of being a genre stereotype, but it has enough positives to be enjoyed by fans of these sorts of films.
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