An anthropologist goes to Haiti after hearing rumors about a drug used by black magic practitioners to turn people into zombies.An anthropologist goes to Haiti after hearing rumors about a drug used by black magic practitioners to turn people into zombies.An anthropologist goes to Haiti after hearing rumors about a drug used by black magic practitioners to turn people into zombies.
- Awards
- 1 nomination
Jaime Pina Gautier
- Julio
- (as Jaime Piña Gautier)
Kimberleigh Aarn
- Margrite
- (as Kimberleigh Burroughs)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDue to political strife and civil turmoil in Haiti during the production, the local government informed the film crew that they could not guarantee their safety for the remainder of the shoot. The crew subsequently relocated to nearby Dominican Republic to complete filming.
- GoofsAt Captain Peytraud's first meeting with Dr. Alan, Peytraud wears his full Haitan Tonton Macoute uniform including a row of several award ribbons. All of these ribbons are in fact United States armed forces decorations - clearly visible are the Vietnam Service Medal, Korean Service Medal, Air Force Overseas Ribbon, and the Army Good Conduct Medal.
- Quotes
Dennis Alan: Don't let them bury me! I'm not dead!
- Crazy credits[Opening card] In the legends of voodoo the Serpent is a symbol of Earth. The Rainbow is a symbol of Heaven. Between the two, all creatures must live and die. But because he has a soul Man can be trapped in a terrible place Where death is only the beginning. The following is inspired by a true story.
- Alternate versionsUK video and DVD versions are cut by 5 seconds by the BBFC to remove shots of cock-fighting (illegal animal cruelty).
- SoundtracksMadame Marcel
Performed by Le Roi Coupe Cloue
Courtesy of Chancy Records
Featured review
"In Haiti, there are secrets we keep even from ourselves..."
First I have to mention that while the book (The Serpent and the Rainbow by Wade Davis) is infinitely better and deeper than the movie that shares its name, comparing the two is unfair. The audience is informed that the movie was "inspired" by the content of the book, for whatever interpretation you give inspired. What makes the book more interesting, aside from it being a true documentary, is how it balances light and shadow in much the way the Vodoun religion balances both. This film may leave you thinking that Haiti is a horrible place filled with monsters and boogeymen, and I don't think that's a fair estimation.
The film confuses many things and ideas which I feel should have been explained. Not everyone is an ethnoreligionist, after all. Totems, houngans, hounfours, mambos, bokors, le Bon Dieu, and the Amazon shaman are just mentioned in passing as if this is everyday vocabulary to the audience. The character of Marielle is presented as a dedicant of the goddess (loa) Erzulie. Well, this is a nice touch, but what of Damballah and his consort Aida-Wedo--the original serpent and the rainbow? And what about the man dressed as a skeleton in an obvious tribute to Baron Samedi--yet the Baron is never mentioned. What really made me chuckle is how Alan's totem saves the end, a totem we had only seen in glimpses without the concept of a power animal ever being explained.
Through in the confusion of the collapse of the Duvalier government and we have the perfect recipe for movie mayhem. Oh, come on...you just knew the overthrow of Duvalier had to work itself in here somewhere, right? We must have the obligatory "I am an American citizen--you cannot touch me" scene when dealing with the so-called Third World.
Bill Pullman was entirely wrong as the protagonist. I just found it unbelievable that this man could find his way out of a Happy Meal box let alone 200 miles of Amazon rainforest. He is abrasive and unpolite, two things which are professional suicide for anybody dealing in international cultures. All right, one can allow for a certain degree of cynicism on his part, but I find it difficult to believe that a man of his caliber and academic background would be fool enough to shoot his mouth off as he does.
Watch this film with an acrostic eye. It isn't a bad film, in spite of the faults I personally found with it. Just watch it cautiously. If it whets your interest, definitely go check out the Davis book.
The film confuses many things and ideas which I feel should have been explained. Not everyone is an ethnoreligionist, after all. Totems, houngans, hounfours, mambos, bokors, le Bon Dieu, and the Amazon shaman are just mentioned in passing as if this is everyday vocabulary to the audience. The character of Marielle is presented as a dedicant of the goddess (loa) Erzulie. Well, this is a nice touch, but what of Damballah and his consort Aida-Wedo--the original serpent and the rainbow? And what about the man dressed as a skeleton in an obvious tribute to Baron Samedi--yet the Baron is never mentioned. What really made me chuckle is how Alan's totem saves the end, a totem we had only seen in glimpses without the concept of a power animal ever being explained.
Through in the confusion of the collapse of the Duvalier government and we have the perfect recipe for movie mayhem. Oh, come on...you just knew the overthrow of Duvalier had to work itself in here somewhere, right? We must have the obligatory "I am an American citizen--you cannot touch me" scene when dealing with the so-called Third World.
Bill Pullman was entirely wrong as the protagonist. I just found it unbelievable that this man could find his way out of a Happy Meal box let alone 200 miles of Amazon rainforest. He is abrasive and unpolite, two things which are professional suicide for anybody dealing in international cultures. All right, one can allow for a certain degree of cynicism on his part, but I find it difficult to believe that a man of his caliber and academic background would be fool enough to shoot his mouth off as he does.
Watch this film with an acrostic eye. It isn't a bad film, in spite of the faults I personally found with it. Just watch it cautiously. If it whets your interest, definitely go check out the Davis book.
helpful•207
- Mayahuel
- Apr 21, 2001
Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $19,595,031
- Opening weekend US & Canada
- $5,848,700
- Feb 7, 1988
- Gross worldwide
- $19,595,031
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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