In 1985, after a successful research in Amazonas, Dr. Dennis Alan from Harvard is invited by the president of a Boston pharmaceutics industry, Andrew Cassedy, to travel to Haiti to investigate the case of a man named Christophe that died in 1978 and has apparently returned to life. Andrew wants samples of the voodoo drug that was used in Christophe to be tested with the intention of producing a powerful anesthetic. Dr. Alan travels to meet Dr. Marielle Duchamp that is treating Christophe and arrives in Haiti in a period of revolution. Soon Alan is threatened by the chief of the feared Tonton Macuse Dargent Peytraud, who is a torturer and powerful witch. Alan learns that death is not the end in the beginning of his journey to hell.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
[Opening card] In the legends of voodoo the Serpent is a symbol of Earth. The Rainbow is a symbol of Heaven. Between the two, all creatures must live and die. But because he has a soul Man can be trapped in a terrible place Where death is only the beginning. See more »
UK video and DVD versions are cut by 5 seconds by the BBFC to remove shots of cock-fighting (illegal animal cruelty). See more »
Wes Craven's "The Serpent and the Rainbow" is one of the more original and ambitious horror movies to come out of the '80s. Not only does it seek to reconnect cinematic zombies with their voodoo roots, ala classics like "White Zombie", but it also uses the creation of zombies as a political allegory. The film is set in Haiti during the last days of the dictatorship of "Baby Doc" Duvalier.
Based - very loosely one surmises - on a true story, the plot follows Dr. Dennis Alan (Bill Pullman) as he investigates a powder that is said to turn people into zombies. He is aided in his quest by Dr. Marielle Duchamp (Cathy Tyson), who he quickly falls for, and Louie Mozart (Brent Jennings) an expert in voodoo. Dargent Peytraud (the chilling Zakes Mokae) is the snarling villain of the piece, a man with sinister powers both government-sanctioned and supernatural.
The film abounds with creatively gruesome imagery - a man is buried alive, screaming, in a coffin as it fills with blood, a fiendish hand reaches out from a bowl of soup - this is one of those rare films that genuinely makes your skin crawl. Horror fans should not miss it. It's a shame that the film runs just a little longer than it should and becomes disappointingly routine in its final moments.
There is a sense that this movie was aiming a bit higher than it ending up reaching. I can't quite hold that against it.
47 of 52 people found this review helpful.
Was this review helpful to you?
| Report this