The Serpent and the Rainbow (1988)

An anthropologist goes to Haiti after hearing rumors about a drug used by black magic practitioners to turn people into zombies.

Director:

Wes Craven

Writers:

Wade Davis (inspired by the book), Richard Maxwell (screenplay)

Stars:

Bill Pullman, Cathy Tyson, Zakes Mokae

1 nomination.

Cast

Cast overview, first billed only:
Bill Pullman	...	Dennis Alan
Cathy Tyson	...	Marielle Duchamp
Zakes Mokae	...	Dargent Peytraud
Paul Winfield	...	Lucien Celine
Brent Jennings	...	Louis Mozart
Conrad Roberts	...	Christophe
Badja Djola	...	Gaston
Theresa Merritt	...	Simone
Michael Gough	...	Schoonbacher
Paul Guilfoyle	...	Andrew Cassedy
Dey Young	...	Mrs. Cassedy
Aleta Mitchell	...	Celestine
William Newman	...	French Missionary Doctor
Jaime Pina Gautier	...	Julio (as Jaime Piña Gautier)
Evencio Mosquera Slaco	...	Old Shaman

Storyline

In 1985, after a successful research in Amazonas, Dr. Dennis Alan from Harvard is invited by the president of a Boston pharmaceutics industry, Andrew Cassedy, to travel to Haiti to investigate the case of a man named Christophe that died in 1978 and has apparently returned to life. Andrew wants samples of the voodoo drug that was used in Christophe to be tested with the intention of producing a powerful anesthetic. Dr. Alan travels to meet Dr. Marielle Duchamp that is treating Christophe and arrives in Haiti in a period of revolution. Soon Alan is threatened by the chief of the feared Tonton Macuse Dargent Peytraud, who is a torturer and powerful witch. Alan learns that death is not the end in the beginning of his journey to hell.

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Plot Keywords:

voodoo | haiti | haitian voodoo | surrealism | hallucination | 

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Taglines:

Don't bury me...I'm not dead!

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Genres:

Fantasy | Horror

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Certificate:

R

Details

Country:

USA

Language:

English French Spanish

Release Date:

5 February 1988 (USA)

Also Known As:

La serpiente y el arco iris

Filming Locations:

Boston, Massachusetts, USA

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend USA:

$5,848,000, 7 February 1988, Wide Release

Gross USA:

$19,595,031

Company Credits

Production Co:

Universal Pictures

Technical Specs

Runtime:

98 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Bill Pullman acted alongside a jaguar, a viper and a tarantula during the course of film. However all the animals were raised in captivity and were relatively tame.

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Goofs

When the Duvalier government is overthrown, it is stated to be "in the middle of the night", yet news reels show cheering crowds outside in the daylight in the middle of the day.

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Quotes

Dargent Peytraud: When you wake up scream, Doctor Alan. Scream all you want. There is no escape from the grave.

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Crazy Credits

[Opening card] In the legends of voodoo the Serpent is a symbol of Earth. The Rainbow is a symbol of Heaven. Between the two, all creatures must live and die. But because he has a soul Man can be trapped in a terrible place Where death is only the beginning.

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Connections

Referenced in Scream: The Inside Story (2011)

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Soundtracks

Madame Marcel
Performed by Le Roi Coupe Cloue
Courtesy of Chancy Records

User Reviews

A Touch of Style

I remember watching "The Serpent and the Rainbow" in a cinema when it opened 12 years ago, and although it did not strike me as a masterpiece, I never forgot it. I had always had a memory of it as a good horror film, but tonight I saw it again on television and I was impressed about how good it is. One may associate Wes Craven with "Scream" or "A Nightmare on Elm Street", but this one is certainly one of his best films. I still see it as an adventure film with horror elements, but this time I found it full of style -a touch of documentary approach, clever use of colorful locations, good handling of massive scenes with many unprofessional extras, attractive ethnic art direction, a bit of grand guignol in some performances (mainly Zakes Mokae), humor and a sensitive and sympathetic approach to a different culture. Many times one sees American films dealing with others' cultural aspects -such as political affairs and religion-, without any respect or concern. It is true that "The Serpent and the Rainbow" is not a serious drama about people's revolt, or a tract on synchretic religions (such as Cuban santería, Haitian voodoo or Brazilian candomblé), but both aspects are not just décors, but elements well integrated to the story in its own terms -that is, in a low budget feature, whose main objective is to entertain and scare the audience. The so-called "South" is such an exotic locale for most First World filmgoers, that cultural "details" often pass unnoticed, because these persons seem to be too obsessed with their own "cinematic hedonism". Craven knows it, and that is why he makes foreign tourists applaud when they have seen a real possession, thinking it is just part of Paul Winfield's show. One of the reasons that this film is good is the script. Someone mentions in another comment how cleverly it introduces more than one level in a single scene: for example, when Dennis and Marielle are looking for Christophe in a cemetery, they not only meet grave robbers for scaring effect, but they also discuss about the possibility that Marielle is using Dennis to obtain funds for her hospital, and the scene fulfills its expectation: they find Christophe, who tells them about the mysterious 'powder'. What turns off some viewers -and myself, in a way- is the cinematic forms that take all the things dealing with energy and human capacity for evil. They are sometimes too gross, others just plain funny or ridiculous; but this is a Craven film, and they did not detract me from the main objective I mentioned earlier. Besides, there are other things I enjoyed watching the film again. First, to see once again the Bill Pullman whom I used to enjoy so much (remember the dumb blond in "Ruthless People"?) when he was beautiful and had not turned into the dull American president of "Independence Day." I also recognized elements I've witnessed. A lot of the things that you see and hear in this film are not just fiction (after all it is based on a "true" story): they are all part of many Caribbean cultures -from the sensuality of the islanders, to the rite in the river, or the powder itself. And believe me: the powders work! Not only for making zombies, but also for many other things. Don't ask me how, I do not know how they do it, but I have seen them work (in Cuba -no joke intended)! So beware.