| Cast overview, first billed only: | |||
| Dustin Hoffman | ... | Raymond Babbitt | |
| Tom Cruise | ... | Charlie Babbitt | |
| Valeria Golino | ... | Susanna | |
| Gerald R. Molen | ... | Dr. Bruner (as Jerry Molen) | |
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Jack Murdock | ... | John Mooney |
| Michael D. Roberts | ... | Vern | |
| Ralph Seymour | ... | Lenny | |
| Lucinda Jenney | ... | Iris | |
| Bonnie Hunt | ... | Sally Dibbs | |
| Kim Robillard | ... | Small Town Doctor | |
| Beth Grant | ... | Mother at Farm House | |
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Dolan Dougherty | ... | Farm House Kid |
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Marshall Dougherty | ... | Farm House Kid |
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Patrick Dougherty | ... | Farm House Kid |
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John-Michael Dougherty | ... | Farm House Kid |
Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1949 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello",... Written by Christopher Howell (Ckhowell75360@aol.com)
I was thinking of the way different movies seem to be good. Some have lots of action, others a bunch of special-effects. But then it strikes you, that what represents real depth, real quality is when a movie can be good without those features. When it's the dialogue, the story and the acting that strikes you. This film has really only two characters, all others play only minor roles (Cruise's girlfriend has some importance though). Two characters basically, and one dialogue - that's all you need when you've got a script as good as this, and two such great actors. Only that is brilliant. But this film also has such fine, very true episodes, small stories in the larger film. One example is when Ray watches court TV with the working class woman and her many children out in the countryside...it's such a fine picture, just outstanding. ALL IN ALL A GREAT FILM!