A medical school dropout and a housewife/mom try to make it as stand-up comedians. They become friends and help each other out at an NYC comedy club.

Director:

David Seltzer

Writer:

David Seltzer
1 win. See more awards »

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Cast

Cast overview, first billed only:
Sally Field ... Lilah Krytsick
Tom Hanks ... Steven Gold
John Goodman ... John Krytsick
Mark Rydell ... Romeo
Kim Greist ... Madeline Urie
Paul Mazursky ... Arnold
Pam Matteson Pam Matteson ... Utica Blake
George McGrath ... Singing Nun (as George Michael McGrath)
Taylor Negron ... Albert Emperato
Barry Neikrug Barry Neikrug ... Krug
Ángel Salazar ... Rico (as Angel Salazar)
Damon Wayans ... Percy
Joycee Katz Joycee Katz ... Joycee
Mac Robbins Mac Robbins ... Billy Lane
Max Alexander ... Mister Ball
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Storyline

Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The wages are lousy and everybody hopes for the big break. Lilah Krytsick is housewife with an ambition to be a stand-up comedian, however she doesnt seem to have the talent. Steven takes her under his wings and teaches her the art of comedy and humour. But when a TV station arranges a comedy evening at the club, Steve sees his opportunity for fame and stardom. Their friendship seems quickly forgotten and now it's every man and woman for him- or herself! Written by Mattias Pettersson <seaman@sbbs.se>

Plot Summary | Add Synopsis

Taglines:

It only hurts when you LAUGH! See more »

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Michael Rachmil, who had worked for IndieProd for many years, became a producer with Daniel Melnick. "I've always been attracted to the world of comedy", said Melnick who added, "political satirists like Mort Sahl and Lenny Bruce, or the more traditional comedians, have always provided a necessary release valve for the traumas of the day. 'Punchline' appealed to me because of the compelling human drama taking place in the lives of those who make others laugh". See more »

Goofs

When Sally Field comes home with a new haircut, she covers her face with a paper napkin. In varying scenes, she has it covered in different ways, and in some she does not have the napkin at all. See more »

Quotes

Madeline Urie: Is - is this a joke?
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Connections

Featured in At the Movies: The Worst Films of 1988 (1989) See more »

Soundtracks

Saber Dance
(uncredited)
(from ballet "Gayaneh")
Composed by Aram Khachaturyan
[Played as Lilah and the girls frantically prepare for the church dinner]
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User Reviews

 
I wanted to like this
15 January 2008 | by markmywords85See all my reviews

It's hard to envision a time in Tom Hanks' career where he had roles in 5 critically panned, as well as commercially dismal films. While I find Joe Versus the Volcano to be a genuinely remarkable and unique film, and Turner and Hooch to be a K-9 ripoff that is a lot more fun than any James Belushi vehicle, Punchline falls flat in too many ways to even get an A for effort.

Hanks is woefully miscast as a guy who's supposed to come off as a selfish jerk (it doesn't help that I can't help but imagine Tom asking viewers to donate to a WWII veterans memorial). When he borders on the icy cold determination of someone who believes they are bound for greatness but are relegated to mentor and also-ran, the movie and Hanks hint at greatness. But ultimately the role should have gone to someone more adept at playing selfish jerks: I imagine a young Kevin Spacey or a world-wearied Richard Belzer.

The real problem is the utter flatness of Sally Field's crowd-winning "jokes." Was I the only one groaning in horror at her Z-rate, HBO late-night schtick? The idea that she's a stunning new talent in the cutthroat world of 80s stand-up is unthinkable (I can't remember what documentary it was, but I saw an excellent collection of comedians talking about the desperate need to be the "next Eddie Murphy" and later the "next Roseanne/Seinfeld"). That's where the movie fails: it suggests that Hanks is just too unrelentingly cruel and embittered to attain stardom, while Fields good-natured "hilarious" insights into real-world pressures make her a guaranteed crowd-pleaser. Neither fully embody their roles convincingly, and the writer just doesn't know good comedy.

Jay Mohr described the creative nadir in comedy: when the typical comedian was bland guys sporting a neon blazer, standing in front of brick walls blurting out tired clichés like "you ladies know what I'm talking about." It's obvious that David Seltzer (writer of the gut-busting Omen series and The Other Side of the Mountain) thinks the world of these garden variety hacks, and without convincing leads, remarkably funny stand-up routines, or the proper balance of convincing drama and humor, the movie just falls flat in every way. I'm giving it a four based on the gleam of promise in Hanks' otherwise unconvincing turn and the faint hope that he could actually portray a genuinely unlikable character in the future (though I doubt it considering a similar misstep with Bonfire of the Vanities and his lovable hit-man in Road to Perdition).


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Frequently Asked Questions

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Details

Country:

USA

Language:

English | Spanish | French

Release Date:

7 October 1988 (USA) See more »

Also Known As:

Punch Line See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$160,742, 2 October 1988

Gross USA:

$21,042,667

Cumulative Worldwide Gross:

$21,042,667
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

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