An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
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Title: Powaqqatsi (1988)
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Cast
| Credited cast: | |||
| Christie Brinkley | ... | (archive footage) | |
| David Brinkley | ... | (archive footage) | |
| Pope John Paul II | ... | (archive footage) | |
| Dan Rather | ... | (archive footage) | |
| Cheryl Tiegs | ... | (archive footage) | |
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Plot Summary
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Storyline
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
Plot Keywords:
industrialization | nature | poverty | experimental film | second part |Taglines:
Life in TransformationParents Guide:
View content advisory »
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See more on IMDbPro »
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Details
Country:
USARelease Date:
8 September 1988 (Netherlands) See more »Also Known As:
Northsouth: Life on the Edge See more »Edit
Box Office
Budget:
$2,500,000 (estimated)Gross USA:
$589,244Company Credits
Production Co:
Golan-Globus Productions, NorthSouth, Santa Fe Institute for Regional Education See more »
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Dolby SRColor:
ColorAspect Ratio:
1.85 : 1
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Did You Know?
Trivia
One of the last films to be produced by Menahem Golan and Yoram Globus's Cannon group, a film company generally not noted for its highbrow output. See more »See what movies and TV series you can watch for free today, and visit IMDb Freedive for even more. Select any poster below to play the movie!
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Indeed! I do not agree that Powaqqatsi is a cheap imitation or second to Koyaanisqatsi. In fact, when I first viewed it, I was overcome with the feeling that this would be the film I would show to an invading Alien strike-force to convince them that humanity is a truly beautiful thing and must be spared. Philip Glass' soundtrack is again an immaculate one, and the marriage of Reggio/Glass devastatingly effective. There are images and transitions in this film that will stay with me forever. Haunting, beautiful, hypnotic, ecstatic. I challenge anyone claiming dissastisfaction with this film to explain how the "cover" sequence of the boy being devoured by smoke leaves the viewer so ( or the reflection of city lights in the rear window of the moving car, or the grain threshing sequence...). This film is another masterpiece, period.