Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's ... See full summary »
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Director Godfrey Reggio reveals humanity's trance-like relationship with technology, which, when commandeered by extreme emotional states, produces massive effects far beyond the human species.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Director:
Ron Fricke
Stars:
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
High speed film and time-lapse photography combined to create breathtaking images of the night sky and Halley's Comet in this astronomical short subject.
'Journey of Hanuman' preserves moments still existing in India that have not been disturbed by globalization and are connected with the antique spiritual knowledge of India. I wanted to ... See full summary »
I saw Koyaanisqatsi several times in the late eighties and was truly mesmerized. After that Powaqqatsi was a true disappointment. I didn't understand it, to be honest.
Many years later I bought the DVDs and saw them both recently. I still like Koyaanisqatsi, even if it couldn't meet my great expectations. But now Powaqqatsi emerged as a true beauty!
I find the photography and music far superior to that of Koyaanisqatsi. Real people, instead of land- and cityscapes (even if wonderful). Some of the Powaqqatsi scenes are simply breathtaking. African women in clear red cloth against the desert sand, the introductory (horrible) scene from the Brazilian mine, etc, etc.
I strongly recommend all those that were utterly disappointed 10 years ago to see Powaqqatsi again!
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I saw Koyaanisqatsi several times in the late eighties and was truly mesmerized. After that Powaqqatsi was a true disappointment. I didn't understand it, to be honest.
Many years later I bought the DVDs and saw them both recently. I still like Koyaanisqatsi, even if it couldn't meet my great expectations. But now Powaqqatsi emerged as a true beauty!
I find the photography and music far superior to that of Koyaanisqatsi. Real people, instead of land- and cityscapes (even if wonderful). Some of the Powaqqatsi scenes are simply breathtaking. African women in clear red cloth against the desert sand, the introductory (horrible) scene from the Brazilian mine, etc, etc.
I strongly recommend all those that were utterly disappointed 10 years ago to see Powaqqatsi again!