Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's ... See full summary »
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
Indeed! I do not agree that Powaqqatsi is a cheap imitation or second to Koyaanisqatsi. In fact, when I first viewed it, I was overcome with the feeling that this would be the film I would show to an invading Alien strike-force to convince them that humanity is a truly beautiful thing and must be spared. Philip Glass' soundtrack is again an immaculate one, and the marriage of Reggio/Glass devastatingly effective. There are images and transitions in this film that will stay with me forever. Haunting, beautiful, hypnotic, ecstatic. I challenge anyone claiming dissastisfaction with this film to explain how the "cover" sequence of the boy being devoured by smoke leaves the viewer so ( or the reflection of city lights in the rear window of the moving car, or the grain threshing sequence...). This film is another masterpiece, period.
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