The old Commandant Lassard, leader of the Police Academy (1984), goes to Florida to receive an award. In the city arrives also the cynic Captain Harris who wants to take Lassard's job. ...
See full summary »
There is a brand new class of screw-ups at the Police Academy (1984). They face danger and try not to let their stupidity get in the way as they fight crime, often without even knowing it.
A parody of Top Gun (1986) in which a talented but unstable fighter pilot must overcome the ghosts of his father and save a mission sabotaged by greedy weapons manufacturers.
The old Commandant Lassard, leader of the Police Academy (1984), goes to Florida to receive an award. In the city arrives also the cynic Captain Harris who wants to take Lassard's job. Harris wants to place himself in a favourable light in front of the high military hierarchy but, at the airport, Lassard exchanges his bag with another one...Written by
Tognacci Sebastiano <seblog@maya.dei.unipd.it>
Steve Guttenberg turned down the lead role and gave a firm "no" to any other Police Academy sequels that might turn up (and they did). He turned them all down. Two decades later, he expressed in an interview, that he regretted turning down the chance to star in the sequels, and was among the main people trying to make another Police Academy movie. See more »
Goofs
(at around 1h 22 mins) When Proctor, while hanging from the helicopter, knocks Lieutenant Harris off the boat, we hear Proctor call out, "I did that. I'm sorry, Sir...", but his mouth stopped moving after, "I did that." See more »
Quotes
Capt. Thaddeus Harris:
You'll never get away with this, you two-bit filthy scum!
Tony:
What did he call me?
Mouse:
Scum.
Tony:
Ah. Well, perhaps you'd like to leave now.
[snaps fingers]
Tony:
Mouse?
[Mouse cocks his pistol]
Capt. Thaddeus Harris:
[laughs weakly]
About that "filthy scum" comment...
Tony:
Shut up, shark bait.
Capt. Thaddeus Harris:
"Shark bait"?
See more »
Alternate Versions
On Network TV versions of the film, 2 scenes are added to fill time. One scene had Captain Harris and Lieutenant Proctor arriving at the hotel in Miami with a goat they had on their airplane. One scene occurs in the Police showcase area where people are trying out various items such as pepper spray, handcuffs, and bulletproof car shields; Tony is seen talking to a friend of his named Larry. He tries to get Larry to talk Commandant Lassard into giving him the camera with the stolen diamonds in it by telling him a story of how his dead wife had a camera just like the one Lassard's carrying. Feeling pity for him, Lassard is about to hand Larry the camera until Larry asks "is there anything I could do for you in return". Lassard says yes and has Larry take an official Police fingerprint identification test. Larry's discovered to be "a known felon" and he runs off without the camera. Tony and his goons walk casually away followed by Tony getting upset and hitting a police car shield with his hand and hurting it. See more »
Where to begin with this one? It's hard to describe how bad this film really is. I was never a fan of the way-too-long-running 'Police Academy' series back in their Eighties heyday, and always did my best to avoid them. Recently, though, I was at a friend's house when he insisted on watching the whole of this catastrophic waste of celluloid as it was being screened on ITV2 on a Sunday afternoon. Even by the low standards set by previous entries in this series, this has to be far worse than anyone could reasonably expect. I'm not without a sense of humour; slapstick and farce, when done by film-makers who actually know what they're doing, can be hilarious - see the 'Naked Gun' films. But the makers of this stinker seem to have no idea about any of the technical aspects that make a comedy movie work. This film is badly directed, has hardly any plot, and plays out like a string of poorly-staged practical jokes thrown together by an untalented bunch of film students. Most of the jokes are so puerile and pathetic that it's insulting to expect anyone older than about 8 years old to find them funny, and some of the dialogue gives the impression that it's been made-up on the spot because it's so weak and unfunny you can't believe it's actually been scripted. At least Steve Guttenburg had some idea about comic timing and delivery of lines - his absence here shows-up most of the rest of the cast looking awkward and embarrassing, delivering some of the weakest one-liners since 'The Krankies'. Anyone who finds this moronic monstrosity of a movie funny, desperately needs a sense of humour transplant.
3 of 7 people found this review helpful.
Was this review helpful to you?
| Report this
Where to begin with this one? It's hard to describe how bad this film really is. I was never a fan of the way-too-long-running 'Police Academy' series back in their Eighties heyday, and always did my best to avoid them. Recently, though, I was at a friend's house when he insisted on watching the whole of this catastrophic waste of celluloid as it was being screened on ITV2 on a Sunday afternoon. Even by the low standards set by previous entries in this series, this has to be far worse than anyone could reasonably expect. I'm not without a sense of humour; slapstick and farce, when done by film-makers who actually know what they're doing, can be hilarious - see the 'Naked Gun' films. But the makers of this stinker seem to have no idea about any of the technical aspects that make a comedy movie work. This film is badly directed, has hardly any plot, and plays out like a string of poorly-staged practical jokes thrown together by an untalented bunch of film students. Most of the jokes are so puerile and pathetic that it's insulting to expect anyone older than about 8 years old to find them funny, and some of the dialogue gives the impression that it's been made-up on the spot because it's so weak and unfunny you can't believe it's actually been scripted. At least Steve Guttenburg had some idea about comic timing and delivery of lines - his absence here shows-up most of the rest of the cast looking awkward and embarrassing, delivering some of the weakest one-liners since 'The Krankies'. Anyone who finds this moronic monstrosity of a movie funny, desperately needs a sense of humour transplant.