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Arashi ga oka (1988)

A retelling of Emily Bronte's tale of vengeance and obsessive love, set in medieval Japan.


Yoshishige Yoshida (as Kiju Yoshida)


Emily Brontë (novel), Yoshishige Yoshida (as Kiju Yoshida)
2 wins & 2 nominations. See more awards »


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Cast overview:
Yûsaku Matsuda ... Onimaru
Yûko Tanaka Yûko Tanaka ... Kinu
Rentarô Mikuni Rentarô Mikuni ... Takamaru
Tatsuo Nadaka Tatsuo Nadaka ... Mitsuhiko
Eri Ishida Eri Ishida ... Tae
Nagare Hagiwara ... Hidemaru
Keiko Itô Keiko Itô ... Shino
Masato Furuoya Masato Furuoya ... Yoshimaru
Tomoko Takabe Tomoko Takabe ... Kinu, daughter
Masao Imafuku Masao Imafuku ... Ichi
Tarô Shigaki Tarô Shigaki


A retelling of Emily Bronte's tale of vengeance and obsessive love, set in medieval Japan.

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Release Date:

28 May 1988 (Japan) See more »

Also Known As:

Onimaru See more »

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User Reviews

Yoshishige Yoshida's period piece
20 December 2014 | by mevmijaumauSee all my reviews

Wuthering Heights was made under French sponsors and entered the 1988 Cannes competition (same as Yoshida's earlier film, A Promise). This is an adaptation of Emily Brontë's classic novel of the same name and transports the setting from 19th century Yorkshire moors to a medieval Japanese foggy volcanic setting. Because of this, some people may draw parallels with two Shakespeare adaptations by Akira Kurosawa, Throne of Blood and Ran, also set in medieval Japan, but really Yoshida's work has nothing in common with Kurosawa's in terms of style, storytelling and general feel. Apparently he made it because he felt dissatisfied with the romanticism of the 1929 version.

The role of Heathcliff (here called Onimaru, meaning "demon") is played by Yusaku Matsuda, sadly in one of his last roles due to his premature death, while Cathy (Kinu, meaning "silk") is played by Yuko Tanaka. Both of them do a great job, although this style of acting may not be to everyone's taste because it's heavily influenced by the Noh theatre traditions. In fact, Yoshida had the actors perform Noh exercises each day under the guidance of a professional instructor. There are no ghosts in this adaptation, as they are replaced with Shinto references which are very likely to fly over your head as they did over mine. Some Shintoistic symbols and elements have major roles, like the long streak of white arches in the middle of nowhere or Kinu's mirror (possibly a reference to Amaterasu? These are just wild guesses...).

There are few different locations - the two Houses on the mountain, the nearby town and the deserted foggy outback, and that's it. One of the rare write-ups on this film that I've read connects the isolated setting to Japan itself, but you can really never know what Yoshida's films are about because there are almost no interviews and a few articles/reviews/texts in general on his work.

Shinichiro Ikebe's music fits the dark, sometimes morbid imagery well. Some of Yoshida's trademark visual touches are present, such as focusing on the characters behind various objects in close-up, such as hand fans. Some locations are color-coded, such as the Forbidden Chamber which is all in yellow to accompany the outbursts of passion that occur within its walls. As is the case with any other Yoshida film, this masterpiece is worth seeing even for the visuals alone.

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