Freddy Krueger returns once again to terrorize the dreams of the remaining Dream Warriors, as well as those of a young woman who may be able to defeat him for good.
A psychiatrist familiar with knife-wielding dream demon Freddy Krueger helps teens at a mental hospital battle the killer who is invading their dreams.
Director:
Chuck Russell
Stars:
Heather Langenkamp,
Robert Englund,
Craig Wasson
A teenage boy is haunted in his dreams by deceased child murderer Freddy Krueger, who is out to possess him in order to continue his reign of terror in the real world.
A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?
Director:
Wes Craven
Stars:
Heather Langenkamp,
Robert Englund,
Jeff Davis
Dream-haunting Freddy Krueger returns once again to prowl the nightmares of Springwood's last surviving teenager, and of a woman whose personal connection to Krueger may mean his doom.
After being mortally wounded and taken to the morgue, murderer Jason Voorhees spontaneously revives and embarks on a killing spree as he makes his way back to his home at Camp Crystal Lake.
Director:
Joseph Zito
Stars:
Erich Anderson,
Judie Aronson,
Peter Barton
Having revived from his wounds, Jason Voorhees takes refuge at a cabin near Crystal Lake. As a group of co-eds arrive for their vacation, Jason continues his killing spree.
Director:
Steve Miner
Stars:
Dana Kimmell,
Tracie Savage,
Richard Brooker
Years after Tommy Jarvis chained him underwater at Camp Crystal Lake, the dormant Jason Voorhees is accidentally released from his prison by a telekinetic teenager. Now, only she can stop him.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Following up the previous Nightmare film, the dream demon Freddy Krueger is resurrected from his apparent demise, and rapidly tracks down and kills all three of the surviving Elm Street kids. However, Kristen (who has the ability to draw others into her dreams) wills her special ability to her friend Alice before her demise. Afterwords, Alice soon realizes that Freddy is taking advantage of that unknown power she now wields to pull a new group of teenage children into his foul domain.Written by
David Thiel <d-thiel@uiuc.edu>
Shelias death is in the honorable mentions in Mojo.com's list of the Top 10 Freddy Krueger Kills See more »
Goofs
(at around 28 mins) When Dan enters the diner looking for Rick, the needle of the record player in the jukebox is on the paper label in the center, not in the grooves, yet the music is still playing. See more »
"Nightmare on Elm Street 4" is one of the best entries in the series. Okay, the first is considered a classic, maybe because it had a feeling of poetic surrealism that is indeed lost here. But, come on, it is the FOURTH Freddy film, did you REALLY expect it to be scary? Freddy delivers indeed too many puns, however some of them actually hit the mark. After all, the quality of a slasher film doesn't depend exclusively on how "serious" and "vicious" the killer is - he was more serious in "Part 2", which was an embarrassment, he was less serious in "Part 3", which was an imaginative, entertaining film. As for "Part 4", it has way-above-average acting, a polished look (just compare it to some early "Friday The 13th" cheapies) and some gruesome, stunning visual effects. Above all, the movie exploits more possibilities about the links between reality and dreams than the "classic" original did. It is worth seeing.
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"Nightmare on Elm Street 4" is one of the best entries in the series. Okay, the first is considered a classic, maybe because it had a feeling of poetic surrealism that is indeed lost here. But, come on, it is the FOURTH Freddy film, did you REALLY expect it to be scary? Freddy delivers indeed too many puns, however some of them actually hit the mark. After all, the quality of a slasher film doesn't depend exclusively on how "serious" and "vicious" the killer is - he was more serious in "Part 2", which was an embarrassment, he was less serious in "Part 3", which was an imaginative, entertaining film. As for "Part 4", it has way-above-average acting, a polished look (just compare it to some early "Friday The 13th" cheapies) and some gruesome, stunning visual effects. Above all, the movie exploits more possibilities about the links between reality and dreams than the "classic" original did. It is worth seeing.