Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his former Sheriff partner.Written by
Keith Loh <loh@sfu.ca>
The film was very controversial when it was released. Though fictional, it was based on an actual case. Some critics felt that too many facts from the real-life case were distorted, or left out. See more »
Goofs
At the burned-down church that Ward and Anderson visit, there's a tree standing within ten feet of it with no scorch marks on it. See more »
Quotes
[first lines]
Driver:
Uh, oh.
Passenger:
What is it?
Passenger:
[seeing the car behind them]
What do they want?
Driver:
I don't know... just pass me... pass me...
Driver:
[trying to identify the following car]
Is it a cop?
Passenger:
I can't see.
[they are hit from behind]
Driver:
What the fuck are these jokers playin' at?
Rear passenger:
Oh, they ain't playin', you better believe it.
[...] See more »
This drama-thriller is loosely based on the FBI investigation into the real-life murders of three civil rights workers in Mississippi in 1964, providing an additional value to anyway skillful plot (by Chris Gerolmo) and direction (by Alan Pakula). In comparison to other states, Mississippi was (and largely is) behind the times in many ways, and many crimes were launched or not disclosed due to overall mentality and indifference -- thus, community solidarity can have both good and bad elements. The movie shows how difficult is to investigate if people are at bay, and when certain activities are not perceived as felonies. The events are logical and catchy to follow, largely thanks to character actors like Gene Hackman, Willem Dafoe, Frances McDormand, and Brad Dourif who make a difference even while being briefly on screen -- no cute faces or politically correct solutions, but harsh and effective methods for solving a severe crime.
It is neither family movie not entertainment, but depiction of black spot in the US history after WWII. But laid out and performed well, without digital effects or long reasoning on human values.
5 of 5 people found this review helpful.
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This drama-thriller is loosely based on the FBI investigation into the real-life murders of three civil rights workers in Mississippi in 1964, providing an additional value to anyway skillful plot (by Chris Gerolmo) and direction (by Alan Pakula). In comparison to other states, Mississippi was (and largely is) behind the times in many ways, and many crimes were launched or not disclosed due to overall mentality and indifference -- thus, community solidarity can have both good and bad elements. The movie shows how difficult is to investigate if people are at bay, and when certain activities are not perceived as felonies. The events are logical and catchy to follow, largely thanks to character actors like Gene Hackman, Willem Dafoe, Frances McDormand, and Brad Dourif who make a difference even while being briefly on screen -- no cute faces or politically correct solutions, but harsh and effective methods for solving a severe crime.
It is neither family movie not entertainment, but depiction of black spot in the US history after WWII. But laid out and performed well, without digital effects or long reasoning on human values.