A young orphan is sent to the village of Moonfleet, in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but is a leader of a gang of swashbuckling bootleggers. The duo went on a treasure hunt.
A simple self-destructive drifter and tough small-time boxer with a brain injury that could kill him meets and falls for a cute beach carnival owner, Ruby, but also befriends a sleazy friendly criminal, Wesley, who's planing a big score.
In the tiny town of Milagro, New Mexico, where the local water is a premium resource, shady developer Ladd Devine has conceived a glitzy resort that will ultimately siphon off all the water from the neighboring crop-fields. When handyman and farmer Joe Mondragon accidentally breaks a water valve reserved for major companies, he inadvertently sets off a small-scale water-rights war between the farmers and the developers.Written by
A soundtrack for the movie has never been released despite the fact that the film won the Academy Award for Best Music Score. Instead though, tracks from the film's score have been included on composer Dave Grusin's 1989 album entitled "Migration". See more »
When Ruby is talking to the lawyer at the water gate, the position of her hand changes. See more »
I enjoyed this movie, and had never heard of it before I watched it for a class. I was amazed that I hadn't, given the number of stars in it. Christopher Walken, John Heard and Melanie Griffith before they were big names. What I loved most about the film though, was its ambiguity about the extent of "true" magic in the New Mexican town of Milagro. The very fact that the town is named Milagro, Spanish for miracle, suggests a magical quality about the town. Many things happen that could be explained rationally, but are not clarified or suggest the supernatural. When the water from the local river owned by Devine's Miracle Valley site accidentally flows into the Mondragon bean field, ghosts are at work. When Amarante, the oldest man in the village is talking to saints and angels, other people see a senile old man and never imagine that he truly could be talking to ghosts apparent to his eyes only. When crosses mentioning "El Brazo Onofre," the thieving trickster of local lore, Devine and his men assume that its the work of dissenting townspeople, though no one ever admits to the crime or is implicated in any way. These ordinary forms of magic show a charmingly realistic depiction of the supernatural. Even the music, beautifully scored by the talented Dave Gruisin suggests a mysterious air. The music sounds like carnival music, alternating from major to minor keys suddenly and ethereally, just as the elements of nature and reality contort to suit the needs of the "miracle town."
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