A large, claustrophobic apartment is the setting for this intense chamber drama. In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities.
Miklós Székely B.
After witnessing a crime during his night shift as railway switchman near the docks, a man finds a briefcase full of money. While he and his family step up their living standards, others start looking for the disappeared case.
Plotting on a payment they are about to receive, residents of a collapsing collective farm see their plans turn into desolation when they discover that Irimiás, a former co-worker who they thought was dead, is coming back to the village.
In a work of site-specific expanded Cinema, going beyond his earlier narrative features,the director presents a middle and upper class audience gathered in a museum setting with images of ... See full summary »
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, especially in Hungary.
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...Written by
I watch Bela Tarr's films over again with endless fascination. The length is not a problem: No longer that many pieces of music. If you can concentrate through a Wagner opera and I hope you can, then a Tarr film is not very long. All the films are very much products of team work but lead by an autocratic man who knows exactly what he wants, hence the seam free quality of the experience, It is that, rather than the length which requires the concentration. I have not found it mentioned often enough but there is much humour in his films, Karrer does a reprise of Gene Kelly, which is then itself parodied near the end of the film. Damnation is maybe still my favourite, I suppose for the mesmerising way sound is used to structure a complex web of association, but then all of the available late films has so much to offer
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