It's recruiting time and despite being short and scrawny, Johnny Walker is America's hottest young football prospect. His dilemma: should he take one of the many offers from college talent ...
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Two friends living in a small town during the 1960s, run away to enjoy their freedom during the Vietnam War, thus disappointing the father of one of them. When they return to town, they realize the importance of family unity.
Robert Downey Jr.,
Caesar is a would-be rock star. But for now, he works at a pencil eraser factory. Soon he falls in love with the owner's daughter. In order to get her, he bets with the old man that he can ... See full summary »
Anthony Michael Hall
Anthony Michael Hall,
A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always ... See full summary »
It's recruiting time and despite being short and scrawny, Johnny Walker is America's hottest young football prospect. His dilemma: should he take one of the many offers from college talent scouts or should he attend the local state college with his girlfriend and give up his football career?Written by
Steve Derby <firstname.lastname@example.org>
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Theatrical version was rated PG-13. Video version features additional footage and has been "re-rated R." See more »
Just three years after "The Breakfast Club", this film reunites Michael Anthony Hall and Paul Gleason. It aims to achieve the irreverent humor of a film like "Stripes" combined with the titillation of "Porky's". Almost every character in this film is a caricature. You can tell a lot of people put a lot of work into this film, so where does it go wrong?
First, the film's primary story--about a football phenom who is unscrupulously recruited by every powerhouse program in the country--is a serious drag on the humor. There is nothing funny about the sacrifice of educational values to the football money machine.
Secondly, the film tries to include every standard feature of every youth comedy film--the clueless adults, the topless scenes, the humor centering on sex and alcohol--and in so doing, becomes a parody of itself.
I am deducting one point just for the colossal waste of talent.
Robert Downey Jr. is wasted here, playing the wacky sidekick. Uma Thurman's performance as the hometown girlfriend is lost in the silliness.
The entire film is predictable, sometimes cringe-worthy, and boring.
In a scene near the end of the film Hall, Downey and Thurman drive off in a convertible to begin their post-high school lives and there is a sense of what this film could have been: an interesting exploration of the lives of three kids who have issues to face and things to learn. It might even have been funny, too.
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