Charles Highway (Dexter Fletcher) is in control of his life; he is about to finish sixth form college and start at Oxford. He is nineteen and wants an "older" woman before he turns twenty. ... See full summary »
A young doctor is suspected when a series of Jack the Ripper copycat killings is committed. However, when the doctor himself is murdered, his identical twin brother claims to have seen visions of the true killer.Written by
Alexander Lum <email@example.com>
The film's trailer re-uses music from Halloween. See more »
Identical twins do not have the same fingerprints. See more »
[Slamming his fist down onto the table as he speaks]
MY BROTHER DIDN'T KILL ANYBODY, some mother FUCKER slung him from his neck from the fucking ceiling!
We have an eyewitness.
FUCK YOUR EYEWITNESS! This is bullshit, alright? If you wanna book me, book me.
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This item might be trapped in its 80s decor (fashion, music), but this stylishly compelling and crisp psychological thriller holds it cards close and leads the way with an appealingly subtle and sincere James Spader performance. This guy has charisma! And he strongly pulls off the whole dual part of playing twins. The premise is one of those, the less you know, the better off you are. When you think you have it figured out, you'll find yourself at square one again. It's a simple, but cleverly penned whodunit murder mystery story. Its odd and manipulative multi-layered structure offers unpredictable turns, hidden clues, suspicious red herrings, but in the long run leaves some spotty developments and a real lack of motivation. It might annoy and could've used some tweaking, but the well-paced story (that takes time to give our protagonist some depth) and sense of urgency just grips you that you just go with it. Director / writer Rowdy Herrington's directorial debut shows assurance in his abilities. The thrills are routine, but confidently done with razor-sharp timing and jarring force. They're menacing, brooding, bloody and a little disturbing. He really does hold you at bay with powerful visuals and anxious suspense. The moody photography and lighting composition drills in well with the stirringly blues music score. This blends well in with eerily glum and sullen atmospheric tinge coming from the Los Angles' setting. The performances are well-suited. Spader is the film's main drive, but Cynthia Gibb is capably good and Robert Picardo turns in a sound performance. Its also stars Jim Haynie, Chris Mulkey, Rod Loomis, John Wesley and Rex Ryon in amusingly fine support.
A wonderfully quirky and darkly projected thriller that's better than your average output.
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