Enzo and Jacques have known each other for a long time. Their friendship started in their childhood days in the Mediterranean. They were not real friends in these days, but there was something they both loved and used to do the whole day long: diving. One day Jacques' father, who was a diver too, died in the Mediterranean sea. After that incident Enzo and Jacques lost contact. After several years, Enzo and Jacques had grown up, Johanna, a young clerk in an insurance office, has to go to Peru. There she meets Jacques who is being studied by a group of scientists. He dives for some minutes into ice-cold water and the scientists monitor his physical state that is more like a dolphin than human. Johanna can not believe what she sees and gets very interested in Jacques but she's unable to get acquainted with him. Some weeks later back in her office, she finds out that Jacques will be competing in a diving championship that takes place in Taormina, Sicily. In order to see Jacques again she ...Written by
Reiner Rosin <email@example.com>
When Jacques jumps into the sea the night after the competition, it's clearly dark. Later one, when playing with a dolphin underwater, it's clearly bright outside, and then dark again when he's seen from outside the water again. See more »
[after a drunken breath holding contest]
Who won what? The asshole award? Let me tell you, it was a tie!
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Original 132-minutes French version has a music score by director Luc Besson's usual composer, Eric Serra. The USA version is 118 minutes long and was re-scored by Bill Conti. The version released in the rest of Europe is 118 minutes long. A special Version Longue (long) director's cut released in France is 168 minutes long. See more »
This movie is the most fantastic contemplation of earth paradise in existence.
First it's imperative that we notice one major difference: the short version and the "version longue" are two completely different films. From tip to toe. I only knew this film previously in its short version. Yesterday I bought the "version longue" in my local FNAC store without subtitles (it's rare these days).
And.................... I fell in love with everything about it, stunned and mesmerized, being at the same time riddled by the way that the short version lost all sense, in comparison with the "longue" version. You can think of an integral version like a way to stuff a film with pictures, but in this movie we have the feeling that the movie was intended to have 164 minutes, and not nearly two.
And you can picture the transformation that occurred in my perception of this film, as I passed from that mutilated, full-screen, mono-sound version to a full, widescreen and hi-fi version. This is why "Le Grand Bleu" passed from just a movie by Luc Besson to the greatest movie of my greatest director.
My perception is that this is the great underwater epic he always wanted to make. And he achieves it in every way, specially letting the audience identify themselves with it.
Perhaps my favorite Besson movie was "The Fifth Element" (I like them all), but after having the privilege of experiencing this fantastic, beautiful, stunning, vivid and moving film, "The Big Blue" passed from one of the medium levels to definitely the top one. The characters all gained strength, the underwater scenes all made sense, the previous movie was completely backed up, and the feeling that this movie was a contemplative journey gained finally its place.
I gave it a 10 out of 10, not for the US version (how can they even think of erasing Eric Serra's score?!?!?) which, for its mutilations, deserved a 1, but for the version longue, which is the only way the movie shall be seen. What a masterpiece! After I saw this movie, I rewinded it thinking that my only wish is that one day I get to take part on such an experience, being there, dreaming and sharing my dream with everyone who would like to share it with me. Perhaps one day, a beautiful blue day...
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