The Good Mother

During the filming of an emotional court room scene with Diane Keaton concerning the custody of her daughter, it was discovered that the two cameras used to film the scene simultaneously had different types of film, which could not be edited together due to their vastly different looks (one was for a soft look, the other normal film). Director Leonard Nimoy felt bad about having to have Diane Keaton film it again, because she had done it so well. He showed up at her dressing room door with two dozen roses in his arms. He gave the roses to her first, then gave her the bad news about having to re-shoot the scene. Diane Keaton took it well, and had no problem with having to re-shoot the scene.

Featured in At the Movies: Everybody's All-American/U2: Rattle and Hum/The Good Mother/Little Dorrit/A Cry in the Dark (1988)