In London, George Thomason, his seductive American girlfriend Wanda Gershwitz, and their associate Ken Pile are planning their latest crime, a diamond heist that should net them £13 million. They plan on leaving the country with the goods after the heist. On Wanda's recommendation, they enlist the help of her brother, Otto, a weapons expert, for this heist. In reality, Otto is not Wanda's brother, but her latest lover, a dimwit who gets off on his own body odor, who believes he's an intellectual because he reads Nietzsche, and who does not tolerate being called stupid by anyone. Wanda has one weakness in men which is how Otto was able to get her to be his lover: speaking Italian in seduction. Wanda and Otto plan to double cross George by having him arrested for the heist, while they abscond with the jewels. Wanda further plans to triple cross Otto by eliminating him from the picture after she has the jewels. They are able to get George arrested with him not knowing who tipped the ...Written by
John Cleese claims that this is Charles Crichton's movie. He merely took a co-director credit to reassure studio execs who were worried about Crichton's advanced age and the fact that he had not directed a theatrical movie for 23 years. The only major work Cleese did as director was near the end of the shoot, when he handled various scenes mostly involving Michael Palin, to allow Crichton to start overseeing the editing. See more »
When Ken shoots the piece of wood that keeps the giant block of cement from falling, the rope/wheel slides down in the incorrect counter-clockwise direction. See more »
[practicing his apology]
Oh, I'm so very, very, very ssssssssssss... FUCK YOU!
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At the very end of the closing credits is the word FIN -- which is how French films say THE END, but in English a "fin" is a part of a fish. See more »
This is one of the best, if not THE best, caper comedies of the modern era. The writing is very witty and at the same time sometimes turgid. The cast is absolutely perfect; Cleese makes a great subdued lawyer who wants to be a bad boy, Curtis is wonderful and just keeps you guessing (as perhaps her own character is guessing, as to what it is SHE wants), and Kline is perfectly annoying as the Nietzsche-quoting American. This movie has strong shades of "The Big Sleep" and other Howard Hawks comedies, even going so far as to name Cleese's character "Leach" in honor of Cary Grant.
This film should appeal to those with no classic movie knowledge, but for those who have seen "To Catch a Thief" and other caper classics, this is even more of a treat. Romantic, funny, and slick.
Also big ups to Michael Palin for another memorable supporting performance.
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