When a chauvinist millionaire buys the television network where the sexy Elvira is the horror hostess of a late show, she quits her job with the intention of producing her own show in Las Vegas. However, the producers demand 50 thousand dollars from her and Elvira does not have the money. Out of the blue, she receives a telegram informing that her great-aunt Morgana died and she has an inheritance to receive. Elvira drives to the uptight town of Fallwell, Massachusetts, where her convertible breaks down. While repairing her convertible, Elvira inherits an archaic mansion, a recipe book and a poodle. Her great-uncle Vincent Talbot proposes to buy her book, but the poodle hides it in the sofa. Meanwhile, the conservative council of Fallwell feels uncomfortable with Elvira's clothes and behavior and does not let her find a job. But cinema owner Bob Redding and the local teenagers help Elvira. When she decides to cook a dinner to impress Bob, she uses Morgana's recipe and finds that it is...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Joel Thurm, who served as supervising producer on this film, appears uncredited as the town barber. See more »
Flipped shot: When her great uncle first appears in her house, the poodle growls and snarls. Originally, the poodle has a black fluffy left ear and an earring in the right. These switch over during the growl, and switch back again when the camera pans back. See more »
The cup(s) of horror runneth over with titillating humor
This movie is simply the best horror-film parody ever made. And it's also just one darned enjoyable flick. I guess you could call it a guilty pleasure. True, it is pure cornball, but I have grown to love it, and I watch it regularly every year around Halloween, since (naturally) several channels on TV routinely feature it as part of that select batch of Halloween pictures that just scream for annual broadcasting.
Extremely well filmed (IMHO), I am always really amazed at how nice it is to see it again each year it holds up well and looks fantastic even today, after 13 years.
From a physical perspective, Elvira (Cassandra Peterson) - with that showgirl figure and that over-the-top tight-fitting black costume - just grabs your attention with both, um, *hands*, from the get go, and never lets go. But there's much more to revel in here than just her physical assets: her acting, her ditzy charm and irreverent risqué sense of humor will just have you lapping it up. In short, you'll just love Elvira from top to bottom (unlike the townies in the story, many of whom decidedly did not take kindly to her sudden arrival in their up-tight little burg in Massachusetts).
This movie is just busting out all over with titillating, slightly off-color humor (or: off-colour humour for those of you on the other side of the Atlantic) from start to finish. There are many funny and memorable lines in this movie of the double-entendre variety; it's hard to keep abreast of them all. (I'd list a few of my racier favorites here, but in the interest of not offending the delicate sensibilities of anyone reading this who is NOT into that sort of humor, well, it might be best for you to just go watch the movie and compile your own list).
I can't say anything bad about this movie at all, except that sadly it does end, and you are left wanting more (of Elvira). LOTS more. Alas, c'est la vie.
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