Bluff Jackson is a smooth talking drifter with a questionable past. His travels take him to an isolated backwoods station where two sisters, totally ignorant of the modern world, are caring for their elderly civil war veteran grandfather.
A nuclear physicist concludes that constant nuclear testing will bring about the apocalypse, so he attempts to warn US and USSR officials, as well as contact a Portuguese women who claims Virgin Marry warned her about this in 1911.
Richard C. Bennett
It started as a friendly meeting between 4 old buddies with their basketball coach and ended up in revealing the truth about their relationship. The meeting forces the five men to reveal ... See full summary »
A man with a wife and two daughters learns that he has a son. It seems that a few years ago while visiting France, he had an accident and he had an affair with the doctor who treated him. ... See full summary »
Craig T. Nelson
When architect Stephen Booker loses his partnership, he finds jobs hard to come by, and with money in short supply, he unwittingly becomes involved in a daring scheme to rob one of London's biggest bank vaults.
A New York playwright is summoned to Ireland to bury his father (his "Da"). While at his boyhood home, he encounters his father's spirit and relives memories both pleasant and not.Written by
not the best translation from stage to screen, but the scenery is nice
Irish writer Hugh Leonard has made a career out of coming to terms with his father's death, writing first a book and then a theatrical play about the experience, and now a screen adaptation of the same play, each of them an unashamedly sentimental vehicle for his memories of the proud but playful old man. Of the three it probably works best on screen, where the episodic timeline and playful unreality of the script are better served by creative editing, and by some handsome location photography (in the Irish seaside village of Dalkey). Martin Sheen, fatally miscast, portrays the expatriate Irishman who returns to the Shamrock Shores to bury the body and memory of his father, but not before trading some serio-comic banter with the old man's spirit and reviewing with him the key episodes of their life together. The screen version makes little attempt to camouflage the awkward stage dialogue, but does at least serve it with a gentle air of whimsy and plenty of local brogue. Barnard Hughes recreates his award-winning performance in the title role, but the entire cast is upstaged by a pet dog with an aversion to the Catholic Church.
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