A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the ... See full summary »
Based on the true story of Lindy Chamberlain. During a camping trip to Ayers Rock in outback Australia, she claimed that she witnessed a dingo stealing her baby daughter, Azaria, from the family tent. Azaria's body was never found. Police noted some apparent inconsistencies in her story, and she was charged with murder. The case attracted a lot of attention, turning an investigation into a media circus, with the public divided in their opinions.Written by
Murray Chapman <email@example.com>
The facts in the case of an Australian couple persecuted by a headline-hungry press should be familiar to viewers of the CBS news show 60 Minutes, which aired the story (not coincidentally) just before this film was released. Both versions recount the disappearance during a weekend camping trip of Lindy and Michael Chamberlain's infant daughter, and the subsequent three-ring media circus which led to wild (and totally fabricated) accusations of cult fanaticism and ritual sacrifices, and eventually to a murder conviction for the bereaved mother. But the big screen dramatization has more in mind than just a strong reprimand for misguided journalism ethics. The reporters covering the case are shown to be more ferocious than the wild dingo dog claimed by the Chamberlain's to have killed their child, but the screenplay wisely implicates public opinion as well, which condemned Lindy Chamberlain to prison for not having a telegenic personality (the same trait might also lose her sympathy with moviegoers, despite another challenging performance by Meryl Streep). Director Fred Schepisi presents the story as a straightforward, undemonstrative docudrama, letting the cold-blooded courtroom drama speak for itself, with a pair of excellent actors (Streep and Sam Neill) taking up the slack.
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