6.7/10
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63 user 40 critic

Colors (1988)

An experienced cop and his rookie partner patrol the streets of East Los Angeles while trying to keep the gang violence under control.

Director:

Dennis Hopper

Writers:

Michael Schiffer (screenplay), Michael Schiffer (story) | 1 more credit »
Reviews
Popularity
4,863 ( 182)

On Disc

at Amazon

1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Sean Penn ... Danny McGavin
Robert Duvall ... Bob Hodges
Maria Conchita Alonso ... Louisa Gomez
Randy Brooks ... Ron Delaney
Grand L. Bush ... Larry Sylvester (as Grand Bush)
Don Cheadle ... Rocket
Gerardo Mejía ... Bird
Glenn Plummer ... High Top
Rudy Ramos ... Melindez
Sy Richardson ... Bailey
Trinidad Silva ... Frog
Charles Walker Charles Walker ... Reed
Damon Wayans ... T-Bone
Fred Asparagus Fred Asparagus ... Cook
Sherman Augustus ... Officer Porter
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Storyline

A confident young cop is shown the ropes by a veteran partner in the dangerous gang-controlled barrios of L.A. about to explode in violence in this look at the gang culture enforced by the colors that members wear. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Add Synopsis

Taglines:

Two cops. Two gangs. One hell of a war. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English | Spanish

Release Date:

29 April 1988 (USA) See more »

Also Known As:

Vigilantes de la calle See more »

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$4,747,118, 17 April 1988, Limited Release

Gross USA:

$46,616,067
See more on IMDbPro »

Company Credits

Production Co:

Orion Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

Dolby SR (Dolby Stereo Spectral Recording)

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The liquor store where Rocket's crew gets arrested was filmed only 2.2 miles (3½ Km) from a location showcased in Diners, Drive-ins and Dives: Intercontinental Flavorfest (2015). See filming locations & Google Maps. See more »

Goofs

During the chase of the female driver by police, she crashes head on into a car parked on the street, propped up on blocks, which brings her car to a full stop, but when they cut to a different angle her car is shown only side-swiping the park car and then she continues speeding down the road. See more »

Quotes

[first lines]
Diaz: Hey Hodges, what do you think about all those hot shot jitter bugs, huh?
Bob Hodges: What about 'em?
Diaz: You never went for this shit, did you?
Bob Hodges: No way.
See more »

Connections

References Victimas de la pobreza (1986) See more »

Soundtracks

Danger In Space
(uncredited)
Music by Ib Glindemann
See more »

Frequently Asked Questions

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User Reviews

 
the Old, the new, and the unbreakable
12 July 2009 | by MisterWhiplashSee all my reviews

Dennis Hopper's film Colors may seem like hundreds of miles removed from his first feature as director Easy Rider, but it's made twenty years later and it shows effectively at least two things on his part: first, that he can express himself in material that would appear to be a "for-hire" work, specifically with having an older, calmer version of himself in Duvall (the kind that tries to think things through and can be ferocious but has experience from a life of work) and Penn (the young hot-head who you know is good but is troubled in other ways), and secondly that he can go back to some of his earliest acting roots, working in movies featuring rebels and gangs (not least of which Rebel Without a Cause) and actually give them the fire and energy and as-much-as-possible realism so desperately needed. Colors is a mature work from a filmmaker who knows what he's doing, and will let the actors and the mood of the streets and the temperament of the current events (which were practically untenable in the late 80s and early 90s in gang-banger) LA.

Matter of fact, this should have been Hopper's professional calling-card, showing that he can make a film that isn't an art-film or too experimental (Last Movie) or under the radar (Out of the Blue). Indeed you'd have to remind most people that Hopper even directed it since, frankly, he lets his stars steal the show, and rightfully so. There's not a solid plot to speak of, more-so a character study of two cops, one older one younger, who are partnered up and have to tackle the ghettos and slums, loaded with "Blue" (Crips) and "Red") (Bloods), and also the various Hispanic gangs that are not as notorious but still as powerful and dangerous.

It's a series of pieces that soon take shape into a story, but it's not even about that. It's just about following these gangs and being true to their nature: of their rites of passage (beating up the new kids and setting them off to prove themselves), their bond and codes, their can-do attitude even when they're behind bars or in hand-cuffs, and the collective wisdom that you can either talk to a cop or just run... or, another alternative, shoot. It's also about a value system and class differences; the former relating, of course, to Hodges (Duvall) and Penn, who don't see eye to eye on how to apprehend suspects or treat them. Penn's younger guy isn't a crooked cop or corrupted, but he's a hot-head, a junkie for adrenaline, while Duvall's been around the block way too many times (and even admits that he had a higher post before and is still on the streets for reasons not totally made clear) to put up with being "like a gangster" as he says.

And the class part relates to the difference between McGavin (Penn) and his supposed girlfriend, who comes from the Latino parts of the hood and has family that Hodges has come in contact with as a cop, putting them up against the wall. It's through this that we see the split between the people in Lost Angeles, and while it's not a subtle point really (and may even be one of the more cliché things in the picture), it still goes a way to try and add immediacy to the drama, and McGain's own personal conflicts on the streets. And, again, those gangs, some played by actors (Don Cheadle and Damon Wayans in early roles, Sy Richardson), others by I would assume real gang-bangers and people 'from the streets' (another thing Hopper is good at, casting real people, which he doesn't get enough credit for), that are allowed to be fleshed out and made into real people, or as real as they can be in this movie.

The filmmakers don't make us feel sympathy for the gang members, but through making them human beings as opposed to just targets and caricatures, it adds to the whole experience of being about something. Nothing here is exploited; it's a well-researched time-capsule that still holds its own years later, least as long as there are crips and bloods and other gangs and, you know, hot-headed cops with old-timer veterans. Very solid, professional film-making.


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