A confident young cop is shown the ropes by a veteran partner in the dangerous gang-controlled barrios of L.A. about to explode in violence in this look at the gang culture enforced by the colors that members wear.Written by
Keith Loh <email@example.com>
The movie's opening prologue states: "The Los Angeles Police Department and the Los Angeles County Sheriff's Department each has a gang crime division. The Police Department's division is called C.R.A.S.H (Community Resources Against Street Hoodlums) and the Sheriff's division is called O.S.S (Operation Safe Streets). The combined anti-gang force numbers 250 men and women. In the greater Los Angeles area, there are over 600 street gangs with almost 70,000 members. Last year there were 387 gang-related killings." See more »
At the end of the movie, when the gang members are partying in the hills, the police conduct a raid. One of the police cars is seen pulling into the area from the background and turns on it's overhead lights. It is then seen arriving from the background and turning them on again 2 seconds later. See more »
Hey Hodges, what do you think about all those hot shot jitter bugs, huh?
What about 'em?
You never went for this shit, did you?
See more »
The original theatrical version wasn't shortened but scenes were added when Virgin released the VHS in the UK, marketed as a bonus rather than as a Director's Cut. In the 'international VHS version' two scenes were extended. See more »
A MIND IS A TERRIBLE THING TO WASTE
Performed by M.C. Shan
Written by M.C. Shan (as Shawn Moltke) & Marley Marl (as Marlon Williams)
Published by Cold Chillin' Music
Courtesy of Warner Bros. Records Inc/Cold Chillin' Records Inc. See more »
My generation remembers these times...This is before Rodney King and the riots, before the relentless moralizing of Spike Lee and John Singleton. Back then, urban gang warfare was comfortably distant. This is before cell phones, bling, rims, before the thug life became a marketable commodity.
Colors is distinctive for Hopper's tight focus, his honest approach and complete lack of sentimentality. The world depicted here is horizontal, and filmed horizontally; it is ugly and unironic, and in a way egalitarian; there are NO courts or lawyers, every introduction of ethics is literally shot down.
It's hard to imagine anything being made like this in today's multiculti/PC world, any such attempt would immediately provoke shrieking and clutching of skirts at the sight of 'racism'.
This paradigm of movie-making didn't survive, it disappeared like Duvall's soul in that departing helicopter shot. Unfortunately, the trend went the way of "Boyz n the Hood".
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