Roberto has a new job as the teacher at a nursery school. The first child he meets is Gianluigi, who's mute. Roberto is spirited, bringing a TV into class, then a donkey. He takes children ... See full summary »
The humanitarian aid expedition "Angeles Azules" (Blue Angels), comprising twelve Europeans and six trucks loaded with provisions to alleviate hunger in Sub-Saharan Africa, advances across ... See full summary »
A 40 year old man, Alfonso, finally succeeds to marry a virginal, educated, beautiful and very Catholic woman. But soon she, Regina, starts stressing him because she wants to be pregnant. ... See full summary »
A beautiful film which is basically about a man, a piano player, who meets and falls in love with a beautiful and voluptuous woman, who, by some strange procedure, leaves the man unable to ... See full summary »
Michel is a bored lonely cheap-thrills-seeker. Everything changes when he finds an unusual bobble head doll in the shape of a pretty woman that can say "I love you" and falls in love with it to the point of obsession.
Adelina, a former "Miss Smiles" beauty queen, is a resident at a senior citizen retirement home. Her joie de vie and unfaded beauty make her attractive to the male residents, especially Andrea, a dapper and charming but married septuagenarian. Their initial mutual attraction evolves into physical desire, but their families and the conservative culture of the institution conspire against their consummating their love.Written by
A man and woman meet at the hospice they both inhabit, and fall in love... but find their amorous exploits frowned upon by their families, the staff, and even some of their peers. Like MAKE WAY FOR TOMORROW and its descendant TOKYO STORY, this movie touches on how we treat our elderly. But it adds an element that neither of those films could address: sexuality. Marco Ferreri (himself in his mid-60's at the time and surely starting to think about these issues) makes a stand for a senior citizen's right to intimacy, privacy, dignity and vanity. It's a warm and funny film, done with great sensitivity and sharp humor. Occasionally the comedy gets a little broad, but I loved touches like the contrast provided by the silly, lurid soap opera on the television. Ingrid Thulin (in her final on screen role, and what an inspired bit of casting) and Dado Ruspoli make a charming couple, Thulin especially is an absolute joy to watch. I also loved the African immigrants who provide our protagonists with their only safe haven. And such a bittersweet melancholy to the ending. Another win for Ferreri.
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