The new owner of the Cleveland Indians puts together a purposely horrible team so they'll lose and she can move the team. But when the plot is uncovered, they start winning just to spite her.
Director:
David S. Ward
Stars:
Tom Berenger,
Charlie Sheen,
Corbin Bernsen
After 19 years of playing the game he's loved his whole life, Detroit Tigers pitcher Billy Chapel has to decide if he's going to risk everything and put everything out there.
Director:
Sam Raimi
Stars:
Kevin Costner,
Kelly Preston,
John C. Reilly
Rudy has always been told that he was too small to play college football. But he is determined to overcome the odds and fulfill his dream of playing for Notre Dame.
The Indians are now a World Series contender. But last year's hunger is now replaced with complacency, and bad decisions by the new owner threaten to tear the team apart.
Director:
David S. Ward
Stars:
Charlie Sheen,
Tom Berenger,
Corbin Bernsen
At the NFL Draft, General Manager Sonny Weaver has the opportunity to rebuild his team when he trades for the number one pick. He must decide what he's willing to sacrifice on a life-changing day for a few hundred young men with NFL dreams.
Director:
Ivan Reitman
Stars:
Kevin Costner,
Chadwick Boseman,
Jennifer Garner
The true story of Herb Brooks, the player-turned-coach who led the 1980 U.S. Olympic hockey team to victory over the seemingly invincible Soviet squad.
Director:
Gavin O'Connor
Stars:
Kurt Russell,
Patricia Clarkson,
Nathan West
Based on the story of Vince Papale, a 30-year-old bartender from South Philadelphia who overcame long odds to play for the NFL's Philadelphia Eagles in 1976.
Director:
Ericson Core
Stars:
Mark Wahlberg,
Greg Kinnear,
Elizabeth Banks
Crash is an aging minor league ball player, brought up from another team to mature a young pitcher with maturity problems. Both of them become involved with Ann, a baseball groupie with her own perspective on the game.Written by
John Vogel <jlvogel@comcast.net>
Charlie Sheen was considered for the role of Nuke LaLoosh, but he was already committed to another baseball movie, Eight Men Out (1988). See more »
Goofs
When Annie and "Nuke" are in her kitchen during the "seduction" scene, she has stockings on in all of the close-up shots, but bare legs in the long shots. See more »
Quotes
[first lines]
Annie Savoy:
[narrating]
I believe in the Church of Baseball. I've tried all the major religions, and most of the minor ones. I've worshipped Buddha, Allah, Brahma, Vishnu, Siva, trees, mushrooms, and Isadora Duncan. I know things. For instance, there are 108 beads in a Catholic rosary and there are 108 stitches in a baseball. When I learned that, I gave Jesus a chance. But it just didn't work out between us. The Lord laid too much guilt on me. I prefer metaphysics to theology. You see, there's ...
[...] See more »
Crash Davis loves baseball more than it loves him. He believes in the game. He deserves to be in the show, but he isn't and never will be. But still he plays on, dutifully and to a certain extent, joyfully. Better to play crappy A-ball than sell shoes.
That for me is the central theme of this film. It is all summed up when Crash tells Nuke, the wild young star pitcher "You don't respect yourself. That's your problem. You don't respect the game. That's my problem."
Take a player that passionate, and a youngster that annoying, add in a sexy yet maternal fan and you have great comedy. Bull Durham works scene after scene, because the film never forgets that baseball is what binds all the characters together.
Tim Robbins is nothing short of brilliant and Nuke Laloosh, the rising star youngster who walks 18 batters and strikes out 18 batters in his first minor league appearance - both league records. But Nuke is caught up in his fat contract, his Porsche, and his endless parade of women. Baseball is a sideline. Eventually, Crash's mentoring begins to pay off until he finally realizes that winning is "like, you know, better than losing!"
The love triangle between Annie (Susan Sarandon), Crash and Nuke is wonderful and funny, but it mainly provides us with set up for the baseball scenes, like when Sarandon convinces Nuke to wear women's underwear while he pitches. Or my favourite scene, when Annie and Crash take batting practise together, Annie dressed like she is ready for a wedding, but determined to correct Crash's swing. Crash is determined to take Annie home. They flirt and practice batting in one of the best prolonged foreplay scenes ever filmed.
The ending is satisfying but the real depth of this film is harmony that the game brings to the characters. **** out of ****.
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Crash Davis loves baseball more than it loves him. He believes in the game. He deserves to be in the show, but he isn't and never will be. But still he plays on, dutifully and to a certain extent, joyfully. Better to play crappy A-ball than sell shoes.
That for me is the central theme of this film. It is all summed up when Crash tells Nuke, the wild young star pitcher "You don't respect yourself. That's your problem. You don't respect the game. That's my problem."
Take a player that passionate, and a youngster that annoying, add in a sexy yet maternal fan and you have great comedy. Bull Durham works scene after scene, because the film never forgets that baseball is what binds all the characters together.
Tim Robbins is nothing short of brilliant and Nuke Laloosh, the rising star youngster who walks 18 batters and strikes out 18 batters in his first minor league appearance - both league records. But Nuke is caught up in his fat contract, his Porsche, and his endless parade of women. Baseball is a sideline. Eventually, Crash's mentoring begins to pay off until he finally realizes that winning is "like, you know, better than losing!"
The love triangle between Annie (Susan Sarandon), Crash and Nuke is wonderful and funny, but it mainly provides us with set up for the baseball scenes, like when Sarandon convinces Nuke to wear women's underwear while he pitches. Or my favourite scene, when Annie and Crash take batting practise together, Annie dressed like she is ready for a wedding, but determined to correct Crash's swing. Crash is determined to take Annie home. They flirt and practice batting in one of the best prolonged foreplay scenes ever filmed.
The ending is satisfying but the real depth of this film is harmony that the game brings to the characters. **** out of ****.