Doug's a concierge at a luxury hotel on Manhattan. He saves all his tips towards his plan for a hotel. A potential investor seduces the girl, Doug loves, with false promises of leaving his wife. Doug's dilemma: hotel project or girl?
Michael J. Fox,
Jamie Conway (Michael J. Fox) is an aspiring writer and yuppie living in New York City who seeks oblivion in cocaine and the glittery nightclub scene as his life falls apart (his wife leaves him, his mother dies, etc.). With his hard-partying friend Tad Allagash (Kiefer Sutherland) tagging along with him during their nights out, Jamie finds it increasingly difficult to show up every day at his unfulfilling job as a fast checker for a literary Manhattan magazine.Written by
The filmmakers shot two different endings, one where Jamie decides to start his life all over and an alternate one--to please the studio--in which he has finished writing a novel to be called "Bright Lights, Big City" with a new girlfriend, who is proud of what he has written. See more »
During Jamie's story of his relationship with Amanda to Megan his wineglass goes from half-full to empty in less than two seconds, while he's speaking. See more »
Glitzy nights of excitement and sex, big apple style, hide a not so bright world of drug abuse
This is one of my favourite Michael J Fox movies. We really get to see him in a dramatic role, though I hadn't bothered with that turkey, Light Of Day. This refreshingly original film was something totally different totally for me, a hard hitting drama that plays well on screen, though it might of not had the impact, the novel intended. An R rating slapped on, as a few were back in the day, supposedly for drug use, like Fox's bleeding nostril when he does too much coke, didn't make much sense. We see two hot women kissing in a cubicle, when Jamie (Fox) walks in then quickly retreats, spouting a funny response of dialogue, in that great comic timing of his. Could this be another reason. Whatever it is, nothing should of stopped people under 18 from seeing this. Jamie Conway's life is a mess, which he refuses to acknowledge. The first anniversary of his mother's passing is coming up. His beautiful model girlfriend (Cates-really) a heartless b..ch has reappeared in his life, choosing a career over a sunken Jamie. His prim and demanding boss, an editor of a magazine, an old hag, is pushing him to finish an article, where he'd rather be doing drugs, or trying to write that aspiring never to published novel. Also little brother has just popped into town. As an anti drug movie, this one works well. In the face of mishap, loss, whatever, drugs are not the solution, and it doesn't help when you're swayed by slime bag friends. Fox does well, though he's not great. Though really, he's never been as good an actor as people have been led to believe. Shining performances comes from Cates and Sutherland. Robards was fun to watch too, and Wiest was great as always, as Fox's mother, seen in flashbacks, that we're a bit heavily laid on. BLBC is an engrossing, if intriguing drama about young 80's New Yorkers, and the drug and disco scene, and we can't forget the coma baby. The scene with Fox again confronting Cates who says to him in casual tone, "How are ya?" where Fox is just thunderstruck, and crashes back against a transvestite, is probably one of three memorable moments. But Fox fan should like it. Well made drama, that should be viewed time and time again, even for under 18's.
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