Doug's a concierge at a luxury hotel on Manhattan. He saves all his tips towards his plan for a hotel. A potential investor seduces the girl, Doug loves, with false promises of leaving his wife. Doug's dilemma: hotel project or girl?
Michael J. Fox,
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This gritty drama follows two high school acquaintances, Hancock, a basketball star, and Danny, a geek turned drifter, after they graduate. The first film commissioned by the Sundance Film ... See full summary »
Jamie Conway (Michael J. Fox) is an aspiring writer and yuppie living in New York City who seeks oblivion in cocaine and the glittery nightclub scene as his life falls apart (his wife leaves him, his mother dies, etc.). With his hard-partying friend Tad Allagash (Kiefer Sutherland) tagging along with him during their nights out, Jamie finds it increasingly difficult to show up every day at his unfulfilling job as a fact checker for a literary Manhattan magazine.Written by
When Jamie (Michael J. Fox) runs from his brother who's been waiting for him on Jamie's stoop, he enters the Christopher Street station of NYC's 1 train. But when the camera shows him on the subway platform he's actually at the 42nd Street/Times Square station. See more »
[reads paper in typewriter]
Yeah! "Dead Amanda"! I told ya, you get more nookie than you can shake a fucking stick at if you just told people your wife was dead.
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There are two things that went wrong with this film. First and foremost is that Michael J. Fox is totally miscast for his role. I can understand him wanting to break away from the Alex Keaton character on "Family Ties." But, although he tries, he simply isn't right as a coke-addled, anguished writer. And it knocks the whole film off-kilter. Another problem is that the story doesn't translate easily onto film. There are some compensations- great supporting cast, catchy theme song ("Kiss & Tell" by Bryan Ferry), and excellent use of New York City locations. But they weren't enough to make the film a success, and the disappointing returns at the box office bear this out.
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