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Bright Lights, Big City

  • 1988
  • R
  • 1h 47m
IMDb RATING
5.7/10
9.3K
YOUR RATING
Michael J. Fox in Bright Lights, Big City (1988)
A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.
Play trailer1:30
1 Video
54 Photos
Coming-of-AgePsychological DramaDrama

A disillusioned young writer living in New York City turns to drugs and drinking to block out bad memories and personal tragedy.A disillusioned young writer living in New York City turns to drugs and drinking to block out bad memories and personal tragedy.A disillusioned young writer living in New York City turns to drugs and drinking to block out bad memories and personal tragedy.

  • Director
    • James Bridges
  • Writer
    • Jay McInerney
  • Stars
    • Michael J. Fox
    • Kiefer Sutherland
    • Phoebe Cates
  • See production info at IMDbPro
  • IMDb RATING
    5.7/10
    9.3K
    YOUR RATING
    • Director
      • James Bridges
    • Writer
      • Jay McInerney
    • Stars
      • Michael J. Fox
      • Kiefer Sutherland
      • Phoebe Cates
    • 58User reviews
    • 39Critic reviews
    • 51Metascore
  • See production info at IMDbPro
    • Awards
      • 2 nominations total

    Videos1

    Official Trailer
    Trailer 1:30
    Official Trailer

    Photos54

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    Top cast71

    Edit
    Michael J. Fox
    Michael J. Fox
    • Jamie
    Kiefer Sutherland
    Kiefer Sutherland
    • Tad
    Phoebe Cates
    Phoebe Cates
    • Amanda
    Swoosie Kurtz
    Swoosie Kurtz
    • Megan
    Frances Sternhagen
    Frances Sternhagen
    • Clara
    Tracy Pollan
    Tracy Pollan
    • Vicky
    John Houseman
    John Houseman
    • Mr. Vogel
    Charlie Schlatter
    Charlie Schlatter
    • Michael
    David Warrilow
    • Rittenhouse
    Dianne Wiest
    Dianne Wiest
    • Mother
    Alec Mapa
    Alec Mapa
    • Yasu Wade
    William Hickey
    William Hickey
    • Ferret Man
    Gina Belafonte
    Gina Belafonte
    • Kathy
    Sam Robards
    Sam Robards
    • Rich Vanier
    Bernard Zette
    • Stevie
    • (as Zette)
    Marika Blossfeldt
    • Bald Girl
    Jessica Lundy
    Jessica Lundy
    • Theresa
    Kelly Lynch
    Kelly Lynch
    • Elaine
    • Director
      • James Bridges
    • Writer
      • Jay McInerney
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews58

    5.79.3K
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    Featured reviews

    6Ralphus2

    Time Capsule Theater

    I won't bother with recounting the plot--plenty of others here have done that--but I will give some thoughts from the perspective of a 40-something who remembers fondly the movie and the times from whence it came.

    I remember hating this movie when I first saw it back in the day. I'd read half the novel and hated that too. My main memory of both of them, oddly enough, was the Coma Baby. It features heavily in the book but somewhat less so in the movie.

    Watching it again so many years later and so many years out from the 80s, I was surprised to find myself enjoying it. Perhaps it was a nostalgia thing. My mind was certainly flooding with associated memories. 1988 was the year I finished high school. I was soon to leave my little red-neck country town and move to the big smoke where a whole new life would begin (and there have been at least three more since then!).

    Some positives: I'm a huge Donald Fagen/Steely Dan fan, so Fagen's soundtrack was appreciated. It doesn't really sound like his regular stuff (until the very end), and was, frankly, often quite cheesy and even out of place at times. But I convinced myself I liked it. Other Fagen fans may also. The movie really grabs the 80s very effectively. Nightclubs, hair, blow, the whole bit. There is a surprising appearance from the wonderful Jason Robards which, shamefully, is uncredited according to IMDb. Considering the size of his role this is kind of odd.

    Negatives: Phoebe Cates seemed completely unconvincing as a model and Michael J. Fox was completely unconvincing as a...sorry, but, hey...as a grown-up. He's never really any different from how he was in Back to the Future or even Family Ties. He's still all got up in jeans and a suit jacket, skipping all over the place, and gulping, "Shucks" (at least seemingly). No disrespect to the guy. Just that this movie reminds that he was never so well suited to anything with pretensions to being serious. And that last point sums up the problems with this film: it eventually becomes apparent that the movie is trying to be taken seriously. It just doesn't work though. A pretentious novel as starting place doesn't help. Ham acting and cheese dialog don't help none neither.

    Still, an enjoyable time capsule. Kiefer does OK as wise-a** friend. The wonderful Frances Sternhagen, an appearance from the then-soon-to-be-late John Houseman, and even the magnificent William Hickey. Tracy Pollan is gorgeous and Swoosie Kurtz is her usual charming self. The ending is quite poignant, featuring Dianne Wiest, but isn't enough to really justify getting there.

    If you're 40-something, watch this with ice cream and snacks on a lazy weekday evening. If you're younger or older than that...probably don't bother, coz it ain't really that great.
    7culwin

    Under-rated

    This is a good, although not great, movie that often gets a lower rating than it deserves. All the actors fill their roles perfectly, especially Keifer Sutherland. The problem is it occasionally tries to be funny (or something?), which doesn't mesh with the rest of the film. Two guys getting attacked by a ferret is not very funny anyhow, unless they are Bill Murray and Jim Carrey. Ignore the parts that try to be funny and you will find this movie much more enjoyable.
    FlorisV

    9 out of 10, what idiot could vote a 5??

    This great film and novel adaptation is obviously underrated.

    Although I have not read the book, (and nor should I to be able to personally judge this film), my guess is that probably most people are whining that the book was better. That's like saying that the car was better than the bike. They probably complain that the movie was not a precise enough adaptation. When will people realise that an exact adaptation will usually result in a boring and overly long film?. The movie definitely has the essential qualities for a good film with it's intelligent script, compelling drama, sober realism and superb acting.

    This is Michael J Fox's best role and he does a great job. I think he's such an underrated actor, he made Family Ties what it was and will never be forgotten as Marty Mc Fly in Back to the Future, but this is his peak film.

    I could very much symphatise and identify with the main character that slowly loses grip on reality, eventually spending most of his time in a drugged state of mind. Drugs are his only joy, until he's finally confronted by his caring brother and becomes at peace with reality in a moderately positive ending (which was criticised by some). His loneliness and desperation are depicted in a very convincing way, with his heartless girlfriend (Phoebe Cates) and harsh boss. My favorite scenes are the ones at work, where his incompetence becomes painfully evident.

    Having recently watched Requiem for a Dream (also about drug addiction), I realize this movie's even better. 9 out of 10.
    5SnoopyStyle

    Michael J. Fox doesn't fit

    In NYC, Jamie Conway (Michael J. Fox) is drinking and doing drugs until the clubs close. He had lied about being fluent in French and has a fact-checking job on Gotham Magazine. His boss Clara (Frances Sternhagen) has a rush French job expecting him to fail. His co-worker Megan (Swoosie Kurtz) tries to help him. His best friend Tad Allagash (Kiefer Sutherland) is even worst. His model wife Amanda (Phoebe Cates) had left him behind for Paris and he's still struggling with his mother (Dianne Wiest)'s death. He becomes obsessed with a New York Post story about a coma baby. He gets set up on a date with Vicky (Tracy Pollan) by Tad.

    It's the last directing effort for James Bridges. It's not nearly as cheesy as Perfect but he's been on a downward slide for awhile. The biggest problem is that Michael J. Fox doesn't fit this role. He doesn't have the required darkness. He has a beautiful lightness that can't be extinguished no matter how hard he tries. Otherwise, the movie has the overall sense of a time and a place. With Kiefer Sutherland in the lead, this could have been something special.
    tex-42

    Not a bad movie at all

    Michael J. Fox does an admirable job in the lead role of this movie adaptation of Jay McInerey's book. The plot concerns one man's downfall over the period of a week, and how it all stems from his mother dying and his wife leaving him. The movie follows the basic plot of the book with few changes. Overall a very decent movie, with a solid cast.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In a 2011 interview with "The A. V. Club," David Hyde Pierce said that it cost him more to join the Screen Actors Guild (so that he could appear in this movie) than he was paid for his role, so he had to borrow the dues money from his agent. His character's name was "Bartender at Fashion Show", and his one line was, "Sorry, the bar is closed."
    • Goofs
      During Jamie's story of his relationship with Amanda to Megan his wineglass goes from half-full to empty in less than two seconds, while he's speaking.
    • Quotes

      Ferret Man: Wanna buy a ferret?

      Jamie Conway: No. No, thanks.

      Ferret Man: Loose joints. Genuine Hawaiian sens. His name is Fred...

    • Alternate versions
      The Indian television premiere was heavily edited by 12 minutes to reduce language, and heavy drug usage for a 'U' (unrestricted) certificate.
    • Connections
      Featured in Siskel & Ebert: Bright Lights, Big City/The Seventh Sign/Beetlejuice/Babette's Feast (1988)
    • Soundtracks
      Love Attack
      Performed by Konk

      Courtesy of Dog Brothers Records

      Produced by Shannon Dawson & G. "Love" Jay

      1986 Single

      Words & Music by Shannon Dawson & G. "Love" Jay

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    FAQ19

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    Details

    Edit
    • Release date
      • April 1, 1988 (United States)
    • Countries of origin
      • Japan
      • United States
    • Languages
      • English
      • French
    • Also known as
      • Die grellen Lichter der Großstadt
    • Filming locations
      • Manhattan, New York City, New York, USA
    • Production companies
      • United Artists
      • CST Telecommunications
      • Mirage Enterprises
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $25,000,000 (estimated)
    • Gross US & Canada
      • $16,118,077
    • Opening weekend US & Canada
      • $5,126,791
      • Apr 3, 1988
    • Gross worldwide
      • $16,118,077
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 47 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Stereo
    • Aspect ratio
      • 1.85 : 1

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