IMDb RATING
5.7/10
9.3K
YOUR RATING
A disillusioned young writer living in New York City turns to drugs and drinking to block out bad memories and personal tragedy.A disillusioned young writer living in New York City turns to drugs and drinking to block out bad memories and personal tragedy.A disillusioned young writer living in New York City turns to drugs and drinking to block out bad memories and personal tragedy.
- Awards
- 2 nominations total
Bernard Zette
- Stevie
- (as Zette)
Featured reviews
I won't bother with recounting the plot--plenty of others here have done that--but I will give some thoughts from the perspective of a 40-something who remembers fondly the movie and the times from whence it came.
I remember hating this movie when I first saw it back in the day. I'd read half the novel and hated that too. My main memory of both of them, oddly enough, was the Coma Baby. It features heavily in the book but somewhat less so in the movie.
Watching it again so many years later and so many years out from the 80s, I was surprised to find myself enjoying it. Perhaps it was a nostalgia thing. My mind was certainly flooding with associated memories. 1988 was the year I finished high school. I was soon to leave my little red-neck country town and move to the big smoke where a whole new life would begin (and there have been at least three more since then!).
Some positives: I'm a huge Donald Fagen/Steely Dan fan, so Fagen's soundtrack was appreciated. It doesn't really sound like his regular stuff (until the very end), and was, frankly, often quite cheesy and even out of place at times. But I convinced myself I liked it. Other Fagen fans may also. The movie really grabs the 80s very effectively. Nightclubs, hair, blow, the whole bit. There is a surprising appearance from the wonderful Jason Robards which, shamefully, is uncredited according to IMDb. Considering the size of his role this is kind of odd.
Negatives: Phoebe Cates seemed completely unconvincing as a model and Michael J. Fox was completely unconvincing as a...sorry, but, hey...as a grown-up. He's never really any different from how he was in Back to the Future or even Family Ties. He's still all got up in jeans and a suit jacket, skipping all over the place, and gulping, "Shucks" (at least seemingly). No disrespect to the guy. Just that this movie reminds that he was never so well suited to anything with pretensions to being serious. And that last point sums up the problems with this film: it eventually becomes apparent that the movie is trying to be taken seriously. It just doesn't work though. A pretentious novel as starting place doesn't help. Ham acting and cheese dialog don't help none neither.
Still, an enjoyable time capsule. Kiefer does OK as wise-a** friend. The wonderful Frances Sternhagen, an appearance from the then-soon-to-be-late John Houseman, and even the magnificent William Hickey. Tracy Pollan is gorgeous and Swoosie Kurtz is her usual charming self. The ending is quite poignant, featuring Dianne Wiest, but isn't enough to really justify getting there.
If you're 40-something, watch this with ice cream and snacks on a lazy weekday evening. If you're younger or older than that...probably don't bother, coz it ain't really that great.
I remember hating this movie when I first saw it back in the day. I'd read half the novel and hated that too. My main memory of both of them, oddly enough, was the Coma Baby. It features heavily in the book but somewhat less so in the movie.
Watching it again so many years later and so many years out from the 80s, I was surprised to find myself enjoying it. Perhaps it was a nostalgia thing. My mind was certainly flooding with associated memories. 1988 was the year I finished high school. I was soon to leave my little red-neck country town and move to the big smoke where a whole new life would begin (and there have been at least three more since then!).
Some positives: I'm a huge Donald Fagen/Steely Dan fan, so Fagen's soundtrack was appreciated. It doesn't really sound like his regular stuff (until the very end), and was, frankly, often quite cheesy and even out of place at times. But I convinced myself I liked it. Other Fagen fans may also. The movie really grabs the 80s very effectively. Nightclubs, hair, blow, the whole bit. There is a surprising appearance from the wonderful Jason Robards which, shamefully, is uncredited according to IMDb. Considering the size of his role this is kind of odd.
Negatives: Phoebe Cates seemed completely unconvincing as a model and Michael J. Fox was completely unconvincing as a...sorry, but, hey...as a grown-up. He's never really any different from how he was in Back to the Future or even Family Ties. He's still all got up in jeans and a suit jacket, skipping all over the place, and gulping, "Shucks" (at least seemingly). No disrespect to the guy. Just that this movie reminds that he was never so well suited to anything with pretensions to being serious. And that last point sums up the problems with this film: it eventually becomes apparent that the movie is trying to be taken seriously. It just doesn't work though. A pretentious novel as starting place doesn't help. Ham acting and cheese dialog don't help none neither.
Still, an enjoyable time capsule. Kiefer does OK as wise-a** friend. The wonderful Frances Sternhagen, an appearance from the then-soon-to-be-late John Houseman, and even the magnificent William Hickey. Tracy Pollan is gorgeous and Swoosie Kurtz is her usual charming self. The ending is quite poignant, featuring Dianne Wiest, but isn't enough to really justify getting there.
If you're 40-something, watch this with ice cream and snacks on a lazy weekday evening. If you're younger or older than that...probably don't bother, coz it ain't really that great.
This is a good, although not great, movie that often gets a lower rating than it deserves. All the actors fill their roles perfectly, especially Keifer Sutherland. The problem is it occasionally tries to be funny (or something?), which doesn't mesh with the rest of the film. Two guys getting attacked by a ferret is not very funny anyhow, unless they are Bill Murray and Jim Carrey. Ignore the parts that try to be funny and you will find this movie much more enjoyable.
This great film and novel adaptation is obviously underrated.
Although I have not read the book, (and nor should I to be able to personally judge this film), my guess is that probably most people are whining that the book was better. That's like saying that the car was better than the bike. They probably complain that the movie was not a precise enough adaptation. When will people realise that an exact adaptation will usually result in a boring and overly long film?. The movie definitely has the essential qualities for a good film with it's intelligent script, compelling drama, sober realism and superb acting.
This is Michael J Fox's best role and he does a great job. I think he's such an underrated actor, he made Family Ties what it was and will never be forgotten as Marty Mc Fly in Back to the Future, but this is his peak film.
I could very much symphatise and identify with the main character that slowly loses grip on reality, eventually spending most of his time in a drugged state of mind. Drugs are his only joy, until he's finally confronted by his caring brother and becomes at peace with reality in a moderately positive ending (which was criticised by some). His loneliness and desperation are depicted in a very convincing way, with his heartless girlfriend (Phoebe Cates) and harsh boss. My favorite scenes are the ones at work, where his incompetence becomes painfully evident.
Having recently watched Requiem for a Dream (also about drug addiction), I realize this movie's even better. 9 out of 10.
Although I have not read the book, (and nor should I to be able to personally judge this film), my guess is that probably most people are whining that the book was better. That's like saying that the car was better than the bike. They probably complain that the movie was not a precise enough adaptation. When will people realise that an exact adaptation will usually result in a boring and overly long film?. The movie definitely has the essential qualities for a good film with it's intelligent script, compelling drama, sober realism and superb acting.
This is Michael J Fox's best role and he does a great job. I think he's such an underrated actor, he made Family Ties what it was and will never be forgotten as Marty Mc Fly in Back to the Future, but this is his peak film.
I could very much symphatise and identify with the main character that slowly loses grip on reality, eventually spending most of his time in a drugged state of mind. Drugs are his only joy, until he's finally confronted by his caring brother and becomes at peace with reality in a moderately positive ending (which was criticised by some). His loneliness and desperation are depicted in a very convincing way, with his heartless girlfriend (Phoebe Cates) and harsh boss. My favorite scenes are the ones at work, where his incompetence becomes painfully evident.
Having recently watched Requiem for a Dream (also about drug addiction), I realize this movie's even better. 9 out of 10.
In NYC, Jamie Conway (Michael J. Fox) is drinking and doing drugs until the clubs close. He had lied about being fluent in French and has a fact-checking job on Gotham Magazine. His boss Clara (Frances Sternhagen) has a rush French job expecting him to fail. His co-worker Megan (Swoosie Kurtz) tries to help him. His best friend Tad Allagash (Kiefer Sutherland) is even worst. His model wife Amanda (Phoebe Cates) had left him behind for Paris and he's still struggling with his mother (Dianne Wiest)'s death. He becomes obsessed with a New York Post story about a coma baby. He gets set up on a date with Vicky (Tracy Pollan) by Tad.
It's the last directing effort for James Bridges. It's not nearly as cheesy as Perfect but he's been on a downward slide for awhile. The biggest problem is that Michael J. Fox doesn't fit this role. He doesn't have the required darkness. He has a beautiful lightness that can't be extinguished no matter how hard he tries. Otherwise, the movie has the overall sense of a time and a place. With Kiefer Sutherland in the lead, this could have been something special.
It's the last directing effort for James Bridges. It's not nearly as cheesy as Perfect but he's been on a downward slide for awhile. The biggest problem is that Michael J. Fox doesn't fit this role. He doesn't have the required darkness. He has a beautiful lightness that can't be extinguished no matter how hard he tries. Otherwise, the movie has the overall sense of a time and a place. With Kiefer Sutherland in the lead, this could have been something special.
Michael J. Fox does an admirable job in the lead role of this movie adaptation of Jay McInerey's book. The plot concerns one man's downfall over the period of a week, and how it all stems from his mother dying and his wife leaving him. The movie follows the basic plot of the book with few changes. Overall a very decent movie, with a solid cast.
Did you know
- TriviaIn a 2011 interview with "The A. V. Club," David Hyde Pierce said that it cost him more to join the Screen Actors Guild (so that he could appear in this movie) than he was paid for his role, so he had to borrow the dues money from his agent. His character's name was "Bartender at Fashion Show", and his one line was, "Sorry, the bar is closed."
- GoofsDuring Jamie's story of his relationship with Amanda to Megan his wineglass goes from half-full to empty in less than two seconds, while he's speaking.
- Quotes
Ferret Man: Wanna buy a ferret?
Jamie Conway: No. No, thanks.
Ferret Man: Loose joints. Genuine Hawaiian sens. His name is Fred...
- Alternate versionsThe Indian television premiere was heavily edited by 12 minutes to reduce language, and heavy drug usage for a 'U' (unrestricted) certificate.
- SoundtracksLove Attack
Performed by Konk
Courtesy of Dog Brothers Records
Produced by Shannon Dawson & G. "Love" Jay
1986 Single
Words & Music by Shannon Dawson & G. "Love" Jay
- How long is Bright Lights, Big City?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Die grellen Lichter der Großstadt
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $16,118,077
- Opening weekend US & Canada
- $5,126,791
- Apr 3, 1988
- Gross worldwide
- $16,118,077
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Bright Lights, Big City (1988) officially released in India in English?
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