One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return.
Duane recovers from his delusional breakdown to find his freakish basket-bound brother Belial will soon become a father. But not everything is joyous as the once tight knit brothers no longer seem to trust each other.
Kevin Van Hentenryck,
Driven by biological excess, a man and a woman search for sexual fulfillment, unaware of each other's existence. Unfortunately, they eventually meet, and the bonding of these two very unusual human beings ends in a god awful love story.
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A normal, average guy who lives in New York City becomes dependent on an evil, disembodied brain. The brain feeds the guy a narcotic substance in exchange for his unwilling assistance in obtaining the brains of innocent victims for sustenance. This turns into a tour of circa-1980s underground NYC clubs, backlots, and other seedy locations. One scene features the band Swimming Pool Cues playing the song "Corruption."Written by
Mark Logan <email@example.com>
In a 2016 interview, Frank Hennenlotter said one of his favorite things about shooting in 35mm was that he couldn't misplace the camera as easily as he did with the 16mm camera he used on Basket Case See more »
When Brian wakes up bloody, the blood on his left hand disappears and reappears between shots. See more »
You're a wreck, Brian. You've got to relax. Why don't you put me on your neck and 'calm down?'
No way! It's not gonna happen again!
I thought you meant getting high!
We can't keep killing people every time you're hungry!
Oh yes we can. We'll do anything I want us to do. You're mine now, Brian. I *own* you...
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In the end titles, listed under "Historical Research" is BABE WOZENTHAL. According Frank Henenlotter on the DVD's commentary, this was a joke about Jerry Lewis in "The Errand Boy." See more »
Paramount video release deletes the gory nightclub fellatio and ear-pulling scenes to avoid an 'X' rating. See more »
Frank Henenlotter's 'Brain Damage' (1987) is easily the director's best film, esp. when considering the solid performances, technical proficiency and fascinating storyline. Aylmer, a rather large, penis-shaped parasite, gives unsuspecting Brian brain damage by getting him hooked on an hallucinogenic, blue fluid that Aylmer himself produces. Oh, the colors! But the thousand-year-old worm-like parasite demands something in return for the buzz - human brains! Aylmer and his actions seem to be a metaphor for drug use and addiction and convey very graphically how substances foreign to our bodies can alter our own thoughts and actions.
Henenlotter adds context and meaning to the proceedings by creating a history for Aylmer. The parasite was sold and stolen over the centuries, until it finally ended up in the possession of Brian's neighbors. But the neighbors deprived Aylmer of his needs in order to keep him weak, and that's where the story begins. Henenlotter's films are never without heavy doses of sick humor, and the perverse highlight here is a sequence depicting a disco-whore getting her brains screwed out - literally - through her mouth. If that's not enough, the special effects in the restaurant scene, complete with spaghetti and brainballs, are particularly polished and satisfying. Ultimately, the director outplays his hand and is left with nowhere to go. Despite this weak ending, 'Brain Damage' is an odd, effective story and film, a major step up from the director's debut, 'Basket Case', but every bit as twisted. >
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