A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
Meg Penny is a cheerleader out on her first date with one of the football players, Paul Taylor. It doesn't go very well. Before they get where they're going, an old vagrant runs out in front of Paul's car, screaming in terror. The old man is closely followed by Brian Flagg, the local teen rebel, complete with long hair, black leather jacket, motorcycle and tough-guy attitude. Paul blames Brian for chasing the old man, but after the threesome takes him to the doctor's office, it becomes clear the vagrant had more to worry about than some young tough. He was screaming because of the acid-like substance on his hand - a substance that spreads over his body and eventually consumes him. Soon, the growing red blob, which sprouts tentacles to attack its victims, becomes a menace to the small town of Arbeville, Colorado. The military soon arrives in Hazmat suits, led by the wide-eyed Dr. Christopher Meddows. They're from the government, they say, and they want to help; but Brian's distrust for...Written by
The M16A1 Kevin Dillon uses near the end of the film is a prop M16A1, typically used in movies from the 70's and 80's. Easy to spot by the horrible reproduction of the forward assist mechanism on the upper receiver.
In this scene, he also had the charging handle to the rear, which means the bolt would be locked to the rear and not under tension from the recoil spring moving the bolt carrier into battery. See more »
After Paul's arm is torn off and hits the floor, a small rise is visible for a brief moment near the wrist where the actor's real arm goes through the floor. See more »
That's a first down. Ball at a thirty five-yard line.
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The credits at the end of the movie are pink colored to match the monster's color. See more »
Some prints contain an alternate version of Eddie's death; in the DVD print, he rises from the water appearing to be a mass of decayed grey flesh. In the alternate version, he rises from the water as a completely skinless, but obviously human, corpse. See more »
Fifties Sci-Fi meet eighties trash with great results!
Remakes are often frowned upon by film fans, and for good reason, but Chuck Russell's take on the silly fifties Sci-Fi flick of the same name certainly doesn't disappoint! The film has the fifties plot structure and ideas, but it's been updated to the eighties - which means gratuitous amounts of special effects, a trashy atmosphere and lots and lots of gore! This remake has sentimental value for me personally, as it's the only film in history to make me physically sick. I would have been about seven at the time, and watching this film over breakfast isn't recommended for seven-year-old kids! However, I did, of course, get the day off school. I've grown up a bit since then, but upon watching The Blob again; I've got to say that it's lost none of it's charm, only I managed to hold back on being sick this time. The plot follows an asteroid that comes down from space. Upon inspecting it, a lowly bum finds himself with a strange organism stuck to his hand! The Blob also takes advantage of the eighties teen comedy craze, and after a couple of kids find the tramp on the road, they take him to the hospital, and that's where the fun really starts
The special effects are often silly, but nevertheless; very effective! The sequences are very imaginative, and take advantage of the eighties style humour that make eighties horror films what they are. The way that the blob consumes people is always disgusting, and seeing the half-melted outlines of people inside the creature is lots of fun and makes for some really good horror. Because it was made in the eighties; many of the scenes focus on raunchy kids, and this gives The Blob lots of room to manoeuvre the central monster into all kinds of hilarious situations. The acting, as you would expect, is nothing to write home about; but the cast approach their roles with gusto, and the fun performances help to make the film what it is. Chuck Russell does a great job of creating the right sort of atmosphere for the film and the screenplay is better than you would expect for a trashy eighties horror flick. Some will notice that the script was co-written by one Frank Darabont, who would, of course, go on to write and direct one of the 'best films of the nineties'. Personally, I'd rather this watch this film!
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