Bird (1988)

The troubled life and career of the jazz musician, Charlie "Bird" Parker.

Director:

Clint Eastwood

Writer:

Joel Oliansky

Stars:

Forest Whitaker, Diane Venora, Michael Zelniker

Won 1 Oscar. Another 8 wins & 9 nominations.

Cast

Cast overview, first billed only:
Forest Whitaker	...	Charlie 'Bird' Parker
Diane Venora	...	Chan Parker
Michael Zelniker	...	Red Rodney
Samuel E. Wright	...	Dizzy Gillespie
Keith David	...	Buster Franklin
Michael McGuire	...	Brewster
James Handy	...	Esteves
Damon Whitaker	...	Young Bird
Morgan Nagler	...	Kim
Arlen Dean Snyder	...	Dr. Heath
Sam Robards	...	Moscowitz
Penelope Windust	...	Bellevue Nurse
Glenn Wright	...	Alcoholic Patient (as Glenn T. Wright)
George Orrison	...	Patient with Checkers
Bill Cobbs	...	Dr. Caulfield

Storyline

Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.

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Plot Keywords:

drugs | jazz | drug addict | 1940s | woman | 

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Taglines:

"There are no second acts in American lives." - F. Scott Fitzgerald

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Genres:

Biography | Drama | Music

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

30 September 1988 (USA)

Also Known As:

Yardbird Suite

Filming Locations:

Greystone Park & Mansion - 905 Loma Vista Drive, Beverly Hills, California, USA

Box Office

Budget:

$9,000,000 (estimated)

Gross USA:

$2,181,286

Company Credits

Production Co:

The Malpaso Company,Warner Bros.

Technical Specs

Runtime:

161 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Though the film is in color, the Warner Brothers logo at the start of the picture was unusually displayed in black-and-white. The logo is in color in the movie's trailer.

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Goofs

At the Jewish wedding, the first shot of the orchestra shows both horns playing, but only the trumpet is heard. The saxophone joins later on.

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Quotes

Charlie 'Bird' Parker: There's going to be a Birdland in every city one day. There's gonna be a Birdland in Chicago, a Birdland in Detroit, a Birdland right across the street from Camarillo. I am the liberator of Paris and you are a motherfucking afterthought!

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Connections

Featured in Eastwood on Eastwood (1997)

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Soundtracks

Mary Land, My Maryland
Performed by Lennie Niehaus

User Reviews

Cool Soundtrack! Overall good movie but, flawed.

If you like Jazz you can't 'not like' this movie. If you like Noir you will dig the overall look of it. My only problem is that Eastwood concentrates more on presenting the tragic side of Charlie parker's life and so we get a very dark and somber film.

While we do get glimpses of Parker as 'musician', Forest Whitaker's, Parker as 'junkie', tends to weigh down the story. If Eastwood had to choose between highlighting the story of 'The greatest jazz musician of all time' or 'The premature death of a self-destructive Junkie', It's obvious which route he chose to take...the easiest one.

Ultimately it becomes more a movie about Parker's relationship with his wife Chan, and less about Parker's relationship with Jazz. In my opinion, Clint doesn't really succeed at showing us why we should love the character of Bird and maybe this was not his intention; but if a separation of the personality (warts and all) and his art is necessary to show an honest depiction; then why not also highlight the music and allow it to speak for itself? In this case, by making it a more satisfying listening experience like Formans "Amadeus" or Tavernier's "Round Midnight". The way they allowed the music be THE lead character of the movie.

Still, the improved fidelity in the remix of the soundtrack makes some of these old recordings easier digestible for those who may be new to Parker's music. Incidentally, this is the best fidelity of Charlie Parker you'll find anywhere. On the whole this is not a bad movie; It is not a complete depress-fest like two other movies about drug induced pop culture icons: 'The Doors' or 'Sid & Nancy'. Indeed this movie has its moments. There's a scene where Parker (blowing on his sax) wakes up Dizzy in the middle of the night to improvise on 'Now's the Time'. I also love the scene where he takes a gig with Red Rodney to play at a Jewish wedding. I wanted more of this type of interaction with his fellow Jazzers!