7.2/10
10,763
39 user 31 critic

Bird (1988)

The troubled life and career of jazz musician Charlie "Bird" Parker (Forest Whitaker).

Director:

Clint Eastwood

Writer:

Joel Oliansky
Won 1 Oscar. Another 8 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Forest Whitaker ... Charlie 'Bird' Parker
Diane Venora ... Chan Parker
Michael Zelniker ... Red Rodney
Samuel E. Wright ... Dizzy Gillespie
Keith David ... Buster Franklin
Michael McGuire ... Brewster
James Handy ... Esteves
Damon Whitaker ... Young Bird
Morgan Nagler ... Kim
Arlen Dean Snyder ... Dr. Heath
Sam Robards ... Moscowitz
Penelope Windust ... Bellevue Nurse
Glenn Wright Glenn Wright ... Alcoholic Patient (as Glenn T. Wright)
George Orrison George Orrison ... Patient with Checkers
Bill Cobbs ... Dr. Caulfield
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Storyline

Saxophone player Charlie "Bird" Parker (Forest Whitaker) comes to New York City in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict, but his loving wife Chan (Diane Venora) tries to help him.

Plot Summary | Plot Synopsis

Taglines:

"There are no second acts in American lives." - F. Scott Fitzgerald

Genres:

Biography | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

30 September 1988 (USA) See more »

Also Known As:

Yardbird Suite See more »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$27,116, 2 October 1988

Gross USA:

$2,181,286

Cumulative Worldwide Gross:

$2,181,286
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The dedication at the end of this movie reads: "This picture is dedicated to musicians everywhere." See more »

Goofs

When Bird is dictates the telegram to be sent to Chan, it's printed as he speaks. He says "Forgive me for not being in the hospital with you," but the telegram reads "Forgive me for not being there with you while you were at the hospital." See more »

Quotes

Chan Parker: Dizzy sent you a birthday card. Seems he's back in town. Do you owe him a phone call?
Charlie Parker: I owe Dizzy everything...except a phone call.
See more »

Crazy Credits

Pre-titles card: "There are no second acts in American lives." - F. Scott Fitzgerald See more »

Connections

Referenced in Tatort: Märchenwald (2004) See more »

Soundtracks

This Time The Dream's On Me
Performed by Charlie Parker, Monty Alexander (Piano), Ray Brown (Bass),
John Guerin (Drums)
See more »

Frequently Asked Questions

See more »

User Reviews

Cool Soundtrack! Overall good movie but, flawed.
9 August 2000 | by ralpho2001See all my reviews

If you like Jazz you can't 'not like' this movie. If you like Noir you will dig the overall look of it. My only problem is that Eastwood concentrates more on presenting the tragic side of Charlie parker's life and so we get a very dark and somber film.

While we do get glimpses of Parker as 'musician', Forest Whitaker's, Parker as 'junkie', tends to weigh down the story. If Eastwood had to choose between highlighting the story of 'The greatest jazz musician of all time' or 'The premature death of a self-destructive Junkie', It's obvious which route he chose to take...the easiest one.

Ultimately it becomes more a movie about Parker's relationship with his wife Chan, and less about Parker's relationship with Jazz. In my opinion, Clint doesn't really succeed at showing us why we should love the character of Bird and maybe this was not his intention; but if a separation of the personality (warts and all) and his art is necessary to show an honest depiction; then why not also highlight the music and allow it to speak for itself? In this case, by making it a more satisfying listening experience like Formans "Amadeus" or Tavernier's "Round Midnight". The way they allowed the music be THE lead character of the movie.

Still, the improved fidelity in the remix of the soundtrack makes some of these old recordings easier digestible for those who may be new to Parker's music. Incidentally, this is the best fidelity of Charlie Parker you'll find anywhere. On the whole this is not a bad movie; It is not a complete depress-fest like two other movies about drug induced pop culture icons: 'The Doors' or 'Sid & Nancy'. Indeed this movie has its moments. There's a scene where Parker (blowing on his sax) wakes up Dizzy in the middle of the night to improvise on 'Now's the Time'. I also love the scene where he takes a gig with Red Rodney to play at a Jewish wedding. I wanted more of this type of interaction with his fellow Jazzers!


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