A brief fling between disc jockey Dave Garver (Clint Eastwood) and obsessed female fan Evelyn Draper (Jessica Walter) takes a frightening, and perhaps even deadly turn when another woman, Tobie Williams (Donna Mills), enters the picture.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Kidnapped boy Phillip Perry (T.J. Lowther) strikes up a friendship with his captor Butch Haynes (Kevin Costner): an escaped convict on the run from the law, while the search is headed up by honorable Texas Ranger "Red" Garrett (Clint Eastwood).
Saxophone player Charlie "Bird" Parker (Forest Whitaker) comes to New York City in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict, but his loving wife Chan (Diane Venora) tries to help him.
Richard Pryor was actually involved in a project to portray Charlie Parker on film at Columbia Pictures in the early 1980s, but had a falling-out with studio executives and left. When Eastwood came on-board to direct, he opted for a lesser-known talent in Forest Whitaker to star. See more »
When Bird is dictates the telegram to be sent to Chan, it's printed as he speaks. He says "Forgive me for not being in the hospital with you," but the telegram reads "Forgive me for not being there with you while you were at the hospital." See more »
Charlie 'Bird' Parker:
There's going to be a Birdland in every city one day. There's gonna be a Birdland in Chicago, a Birdland in Detroit, a Birdland right across the street from Camarillo. I am the liberator of Paris and you are a motherfucking afterthought!
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Pre-titles card: "There are no second acts in American lives." - F. Scott Fitzgerald See more »
I feel as though the film did not do justice to the musically phenomenal life "Bird" went through. He was one of the most influential Jazz musicians crating an entire style of music. Which i felt was not portrayed fully. As one of the comments i've heard before stated "it seemed they had a choice between Charlie Parker as a musical genius or Charlie Parker as a junkie and they chose junkie."
I felt as though the musicians playing the bird solo's did a bad job reflecting his "sound." As in Charlie Parker had a sound that filled up an entire room with complicated be-bop phrasings and with a blues background. While the musicians just had him playing fast notes most of the time which was sometimes difficult to hear over back ground noise, very "unbird like".
However i did enjoy moments of the film, that showed even Charlie Parker had to play some weird gigs.
My last point is that it felt as though Chan Parker was portrayed as a stable part of bird's life, and was one of the central idea's of the film. As in the love story between him and his wife, with a love hate relationship. Which i think could have been less focused on and centralized more around Charlie Parkers music.
i do understand that Chan actually helped the script writer to write the film so it may have been a somewhat biased perspective.
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