A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
Josh Baskin would do anything to be big to hang out with his crush at the carnival. He finds a Zoltar machine, and he wishes to be big. After Zoltar tells him, "his wish is granted", Josh notices the machine is unplugged. He wakes up the next morning in an adult's body but he still has the same personality. With the help of his best friend, Billy, Josh learns how to act like a grown up. But as he gets a girlfriend and a fun job, he doesn't want to be a kid again. Will Josh stay big or become a 13 year old boy again?
Robert Loggia's character is based on then F.A.O. Schwarz CEO Peter Harris. The character is a youthful, albeit goofy, retailer, true to Harris' own charisma. See more »
When Young Josh is at the Zoltar machine, just before the machine starts working, the "man" in the machine has it mouth halfway open. In the next close-up, the mouth is now closed. See more »
That was under the line.
That was under the line. You said it had to be over the line on a serve.
No, I didn't.
Yeah you did. You said it had to be over the line on a serve.
No I did not, now give me the goddamn ball!
Well that's cheating.
Give me the Goddamn ball, will you?
Give me the ball, you little shit.
[...] See more »
Some believe that a home video release of this movie in New Zealand included an alternate ending. The alternate ending allegedly shows young Josh sitting in his classroom at school when he turns around to notice a young female classmate of whom who he recognizes as Susan- who went back to the fairground machine and wished that she was Josh's age. Some claim that this version was also seen on Latin American television.
The Book of Lists, Canadian Edition, 2005 includes the following account: "During test screenings, an additional scene was included at the end, in which Josh is back at school, and a new girl named Susan arrives. The implication is that Susan used the same machine to make herself young to grow up with Josh. Due to audience feedback, this scene was cut, and so the movie ends when Josh goes back home." See more »
Saw this movie again recently and found that it stands up well to repeat viewings. Tom Hanks meets a difficult challenge here - to convincingly show us how a twelve-year old boy would act if he were trapped in an adult's body and had to "pass" in a grownup world. He meets the challenge in spades, aided by a script that is by turns witty, clever, insightful, and touching, and by Penny Marshall's able direction. Much is added by Robert Loggia's sympathetic portrayal of Tom/Josh's boss, and by Jared Rushton as his friend Billy. The movie is much more than an exercise in slapstick or farce: it is really a disquisition on the wonder of childhood. In the end it is quite touching, if not moving, reminding us all of the innocence of youth and the aching sadness of recalling its loss. Too early to tell, but the film might very well be destined to become a classic.
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