A indestructible cyborg killing machine is sent from 2029 to 1984 to execute a young waitress, whose unborn son is the key to humanity's future salvation in a war against sentient machines. A human soldier from the same war is sent to protect her at all costs.
In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Jackie Earle Haley,
After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe.
Robert Downey Jr.,
Adam and Barbara are a normal couple...who happen to be dead. They have given their precious time to decorate their house and make it their own, but unfortunately a family is moving in, and not quietly. Adam and Barbara try to scare them out, but end up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping.Written by
Tim Burton: [distorted female face] One of Barbara's early attempts to scare off intruders, and her mouth "zipped" during the climax. See more »
You see a far shot of the house when Delia and Otho start remodeling the house, you see Delia coming out the door to chase down the worker down the stairs. It cuts to Otho putting up a wall and then cuts back to Delia at the top of the stairs again to chase to worker. See more »
[finishing his used-car style commercial]
[sings and hops back and forth]
I'll eat anything you want me to eat. I'll swallow anything you want me to swallow. But, come on down and I'll... chew on a dog! Arroooo!
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When the Geffen Company logo appears, it is accompanied by a ghoulish version of the Banana Boat song (sung by the film's composer Danny Elfman). See more »
In 1999, the film was re-released on VHS in the US with clamshell packaging. There are a few cuts to profanity in this release to make the film more family friendly: The barber in front of Adam's shop recounts an incident with a customer who had "hair down to his goddamn shoulders" it is altered to "hair down to his damn shoulders" using poor dubbing. Also the instance when Betelgeuse yells out "Nice fucking model!" and grabs his crotch is cut out. So after he kicks down the tree the next shot shows Adam putting it back up in the model. No other home video releases feature these cuts. See more »
It may take two or three viewings to warm up to "Beetlejuice". It has a kooky, cockeyed sensibility and a rhythm that is by turns easy, lazy and frenetic. A charming couple in New England die and come back to their beloved home as ghosts, determined to rid the place of the horrendous new tenants. Possibly the most benign and engaging performance ever by Alec Baldwin; Geena Davis, Winona Ryder and Sylvia Sidney are also very appealing. The new couple from New York who take over the house (Jeffrey Jones and Catherine O'Hara) aren't as well written or thought-out as the other characters and some of their bemused, dry-ice comic lines take a few seconds to reach you. Of course, there's Michael Keaton, wildly comic as Betelgeuse. I recall hearing comments back in 1988 that Keaton wasn't around enough to make the picture worthwhile, but that's only if you watch the film for the fast quips and sight-gags. Keaton is truly wonderful, but he's also bombastic, and I felt there was just enough of him to satisfy--it's really not his story anyway, it belongs to Baldwin and Davis; Betelgeuse is used as a horny, vulgar punchline. Director Tim Burton is very careful not to overload the movie with raunch; he is surprisingly careful in setting up this story, and he works magic within a dubious scenario: a comic fantasy about dead folks which ultimately celebrates life. ***1/2 from ****
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