Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin.
Adam and Barbara are a normal couple...who happen to be dead. They have given their precious time to decorate their house and make it their own, but unfortunately a family is moving in, and not quietly. Adam and Barbara try to scare them out, but end up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping.Written by
When Glenn Shadix died in September 2010, the last song performed at his memorial service was "Day-O (The Banana Boat Song)," which was used in the dinner party scene. See more »
In the dinner scene, Lydia can be seen to push her chair back to leave; she doesn't just disappear when everyone starts singing. Lydia doesn't leave the room. She slips out of her chair and the pulls it away with her to the corner of the dining room where she enjoys the Calypso fun. See more »
Cabin fever, hon?
Well, I can't clean anything properly. The vacuum's out in the garage and we can't leave the house. Why don't they tell us something? I mean, where are all the other dead people in the world? Why is it just you and me?
Maybe this is heaven.
In heaven there wouldn't be dust on everything.
See more »
When the Geffen Company logo appears, it is accompanied by a ghoulish version of the Banana Boat song (sung by the film's composer Danny Elfman). See more »
When Disney bought the rights to Beetlejuice to air on the Disney Channel, they cut out several scenes including: The scene of a second Sandworm head emerging from the mouth of another one. In the original version, when Adam and Barbara leave the model, Beetlejuice kicks over a model tree, screams "Wow! Nice F---ing model!" and then makes honking sounds while he yanks himself in an obscene way. In the Disney version he kicks over the tree, spits, and stares up at Adam and Barbara. Several scenes of Beetlejuice attacking the Deitz family as a snake were removed. The scene where the receptionist in the Afterlife Waiting room reveals she killed herself was removed A scene during the dance number where the Deitz's all moon each other was removed See more »
It may take two or three viewings to warm up to "Beetlejuice". It has a kooky, cockeyed sensibility and a rhythm that is by turns easy, lazy and frenetic. A charming couple in New England die and come back to their beloved home as ghosts, determined to rid the place of the horrendous new tenants. Possibly the most benign and engaging performance ever by Alec Baldwin; Geena Davis, Winona Ryder and Sylvia Sidney are also very appealing. The new couple from New York who take over the house (Jeffrey Jones and Catherine O'Hara) aren't as well written or thought-out as the other characters and some of their bemused, dry-ice comic lines take a few seconds to reach you. Of course, there's Michael Keaton, wildly comic as Betelgeuse. I recall hearing comments back in 1988 that Keaton wasn't around enough to make the picture worthwhile, but that's only if you watch the film for the fast quips and sight-gags. Keaton is truly wonderful, but he's also bombastic, and I felt there was just enough of him to satisfy--it's really not his story anyway, it belongs to Baldwin and Davis; Betelgeuse is used as a horny, vulgar punchline. Director Tim Burton is very careful not to overload the movie with raunch; he is surprisingly careful in setting up this story, and he works magic within a dubious scenario: a comic fantasy about dead folks which ultimately celebrates life. ***1/2 from ****
89 of 102 people found this review helpful.
Was this review helpful to you?
| Report this