When the New York child performer CC Bloom and San Francisco rich kid Hillary meet in a holiday resort in Atlantic City, it marks the start of a lifetime friendship between them. The two keep in touch through letters for a number of years until Hillary, now a successful lawyer moves to New York to stay with struggling singer CC. The movie shows the various stages of their friendship and their romances including their love for the same man.Written by
Sami Al-Taher <email@example.com>
In the scene where CC (Bette Midler) comes back to her apartment building she has an exchange with the doorman about winning a Tony award. Now, 29 years later, Ms. Midler actually does win the Tony Award for Best Actress in a Musical for "Hello Dolly". See more »
When Hillary drops in on CC at the Pink Palm, CC slowly saunters over to Hillary and crosses her left leg in front of her right. When the camera angle changes, suddenly it's her right leg in front. See more »
OK, stay in. But will you at least get out of those pajamas? You've been in them for over a week!
So what? Who the hell are you, the clothes police?
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The musical number "Otto Titsling" is omitted from most TV prints of the film. See more »
Iris Ranier Dart's novel was obviously written with Bette Midler in mind (there's even a mention of a movie called "Jilted" which is the Midler character, Cee Cee Bloom's version of Midler's own fiasco, "Jinxed.") So, she's wonderful in the role, and Mayim Bialik is perfect as the 11 year old Cee Cee. But Barbara Hershey (as "Hillary", a character called Bertie in the book) is cold instead of cool. Besides the odd name changes (Bertie/Hillary's daughter's name is changed from Nina to Victoria) the movie left out a key scene (it takes place in Hawaii) which explains one of the turns that their friendship takes. The movie replaces this scene with more of Hershey being cold and Midler being angry.
Midler gives some terrific musical numbers, but they don't work within the structure of the movie (its understandable that they couldn't realistically flashback to her being a 19 year old in summer stock, but "The Factory" and "Otto Titzling," respectively fascinating and funny, belong in another film.)
I understand when books are changed a bit in order to fit into a two-hour-movie. I DON'T understand changing plots --why buy the rights if you're not going to keep the story? Write your own!
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