While trying to understand a frightening reoccurring nightmare, a pledge is coaxed into breaking into her father's department store by her sorority sisters, where a deranged killer targets the girls and their boyfriends.
Siblings, Eric & his surreal artist sister Kay, her doctor husband David, her sister-in-law Brooke along with pilot Marsh become stranded on a rugged isle face off against a supernatural beast drawn to Kay who dreams of its killings.
Three college girls on their way to a jazz festival crash their car in the isolated woods during a rainstorm, and are taken in by a mysterious family in an old mansion. Little do the girls know, the family has a dark, murderous secret.
In the mid-'70s, a cult group called Unity Field commits mass suicide, but a young girl survives. After being in a coma for thirteen years she wakes up in a psyche ward, not remembering the incident. The psychiatrist tries to help her remember, but she begins seeing the leader of the cult talking to her from the grave, and the other members of her therapy group begin to commit suicide around her. Or is it suicide?Written by
Ed Sutton <firstname.lastname@example.org>
I'm kind of caught here. I somewhat liked it, but came away rather under-whelmed because it was all too familiar and there was something more interesting within this strange horror/thriller premise than what was chalked up. Even with some creative cracks, it should've been better. The story's direction seems a little uneven if it wants to go out to shock (a good amount of blood splatter is spilt), or play its cards for psychological torment. Something about it never entirely fulfils. The performances are the main reason this one doesn't slip off the mind too quick. The beautiful Jennifer Rubin is exceptional in brining out a vulnerable side, which is counter-punched by determination. Alongside her are a very good Bruce Abbott and a towering Richard Lynch brings an uneasy subtly to his menacing character. Harris Yulin, Sy Richardson, Susan Ruttan and an amusingly batty Dean Cameron chip in with durable support. Andrew Fleming's leisured direction is stylish, but has that breakable quality to it. Good use of lighting, colouring and composition in pockets drips of atmosphere. The material is enjoyable (if minimal), as the protagonist tries to overcome the hallucinations that might be because of her unstable state of mind or the simple reality of being haunted by a restless spirit. There's some black humour evident, but the by-the-numbers script goes about things rather seriously. As well it has a fine and compelling soundtrack to boot. The special effects and make-up FX stands-up well enough. A decent little film.
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