Having recently turned fifty, Marion feels that she has led a so far blessed life. The well-respected Dean of Philosophy at a women's college, she is currently on sabbatical to write her latest book. Although her first husband Sam died tragically fourteen years ago from a mixture of alcohol and pills, she has recently remarried to Ken, who, married at the time, pursued her, while Ken's writer friend, Larry, also professed his love for her. She has a good relationship with her step-daughter Laura, seemingly better than Laura has with either Ken or Laura's own volatile mother, Kathy. Between her and her brother Paul, Marion always had the attention of their academic father. And she and Ken have a wide circle of friends with who they regularly and willingly socialize. But a series of incidents with these people in her life makes Marion wonder about the decisions that she's made, most specifically whether her cerebral and judgmental nature has been alienating to those around her. One of ...Written by
John Baxter's book "Woody Allen: A Biography" (2000) states that Woody Allen later commented that "The character of Marion (Gena Rowlands) was . . . of all those in his work, the one who most resembled him intellectually." See more »
In the credits, Erik Satie's Gymnopédie No. 3 is listed. However, it is Gymnopédie No. 1 which is played in the film. See more »
If someone had asked me when I reached my fifties to assess my life, I would have said that I had achieved a decent measure of fulfillment, both personally and professionally. Beyond that, I would say I don't choose to delve.
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This is a wonderful movie but not an easy one. It mixes the present with the past and dreams with real life. You will need to see it three or four times at least to get the best out of it but it's well worth doing. Every performance is spot on, every scene has a purpose, there is no padding here. It comes as a shock to Gena Rowlands character that she is not what she thought she was, that people do not view her in the way she thought they did.She takes a journey through her life to see what went wrong with the unwitting aid of a psychiatrist and patient in the apartment next door. The film ends abruptly without a proper resolution just as life can and does. The final line of Gena Rowlands beautiful narration will haunt you. A masterpiece of writing and direction to say nothing of superb acting and masterful cinematography.
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