On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo's supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira's secrets were buried 30 years ago.Written by
Tzung-I Lin <email@example.com>
The scene in which Tetsuo flies up into outer space to destroy the satellite is very scientifically accurate in the sense that there's little to no noise once he leaves Earth, due to the fact that there's no medium for which sound to travel through in space that's audible to the human ear because it's a vacuum (with few exceptions given the right circumstances, such as someone hearing the muffled sounds of something touching or hitting the exterior of their ship or space suit). This is very impressive for a sci-fi animated film from 1988, seeing as how live action movies like Gravity (2013) and Interstellar (2014) have only recently begun paying more noticeable attention to that technical aspect of space almost three decades later. See more »
In a long shot of Nezu discussing Kaneda's usefulness to the resistance movement with Ryu, a passing-by couple appears to be walking towards the same set of steps that Nezu and Ryu are about to descend. However, in the next shot, the couple is walking up a flight of steps on the other side of Nezu and Ryu. See more »
What the hell are you talking about; you look like a damn crack head?
Talk sense, what happened here; did you notice that the owner's dead?
See more »
Credits roll with Big Bang-like footage of stars and galaxies, in the background. See more »
Due to complaints about no 5.1 version on the special edition DVD, Pioneer remixed the film into a DTS 5.1 soundtrack and released it as a separate movie-only DVD. See more »
An animated masterpiece, without the sing-alongs of Disney fare
It amuses me that so many people are appalled by the "graphic violence" of this film when they are the ones who will turn around and glorify a movie like "Silence of the Lambs" simply because it is live-action. Akira completely dispels the myth that animation must be replete with characters who are super-deformed and randomly break into song. This is a true emotional experience the likes of which Hollywood could not duplicate even if it tried.
A gang of young motorcyclists get involved in a government plot involving the resurrection of "Akira," a force which once laid waste to Tokyo. Now, in the Neo-Tokyo of the future, the youngest and lowliest of the gang, Tetsuo, ends up harnessing this extremely destructive power and goes on a rampage of telepathic mayhem to earn the fear of those who once bullied him relentlessly. Beneath the violence in this movie lies the very touching story of this young man and his reconciliation with Keneda, his best friend.
One of the most moving scenes in the film is a flashback that shows the first meeting between the two when they were very young. Though the other kids had bullied and harassed Tetsuo, Keneda was there to stick up for his now lifelong friend. If those who watch Akira can discard their preconceived notions of what animation should be, they will find one of the most exciting, emotional, and rewarding films they will ever have the fortune of seeing.
As a special side note, I personally prefer the dubbed version, which is executed very well by a talented cast of voice actors. My favorite line in the movie belonged to the Colonel: "They don't teach tact at the academy." Though it was adapted from a huge body of manga work, Akira was executed perfectly, being directed by its original creator, Katsuhiro Otomo.
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