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Akira (1988)

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A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.

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Cast

Cast overview, first billed only:
... Kaneda (voice)
... Tetsuo (voice)
... Kei (voice)
... Ryu (voice) (as Tetsusho Genda)
Hiroshi Ôtake ... Nezu (voice) (as Hiroshi Otake)
Kôichi Kitamura ... Lady Miyako / Committee A (voice) (as Koichi Kitamura)
Michihiro Ikemizu ... Inspector / Committee I (voice)
Yuriko Fuchizaki ... Kaori (voice)
Masaaki Ôkura ... Yamagata (voice) (as Masaaki Okura)
Tarô Arakawa ... Army / Committee G / Eiichi Watanabe (voice) (as Taro Arakawa)
... Kai (voice)
Kazumi Tanaka ... Army (voice)
Masayuki Katô ... Engineer Sakiyama / Committe D (voice) (as Masayuki Kato)
Yôsuke Akimoto ... Harukiya Bartender (voice) (as Yosuke Akimoto)
Masato Hirano ... Committee F / Spy / Yûji Takeyama (voice)
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Storyline

Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo's supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira's secrets were buried 30 years ago. Written by Tzung-I Lin <tzung@hugo.att.com>

Plot Summary | Plot Synopsis

Taglines:

The definitive science fiction masterpiece. This is an unmissable anime classic! See more »


Motion Picture Rating (MPAA)

Rated R for graphic violence and brief nudity | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

16 July 1988 (Japan)  »

Also Known As:

Akira: The Special Edition  »

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Box Office

Budget:

JPY 1,100,000,000 (estimated)

Gross USA:

$553,171
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (re-release)| (35 mm prints)| (2001 re-issue)| (Dolby TrueHD 5.1)

Color:

Aspect Ratio:

1.85 : 1 (VHS version)
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Did You Know?

Trivia

Computer-generated imagery was used in the film, primarily to animate the pattern indicator used by Doctor Onishi, but it was additionally used to plot the paths of falling objects, model parallax effects on backgrounds, and tweak lighting and lens flares. See more »

Goofs

When the camera is far away from Akira's capsule, the nameplate is in katakana (a Japanese alphabet). When Tetsuo walks closer, it has mystically been translated to Romaji (English) characters. See more »

Quotes

Kei: Amoebas don't make motorcycles and atomic bombs!
See more »

Crazy Credits

The date of the first coming of Akira is the exact same date as it was released originally in Japan. See more »

Connections

Referenced in Sunset Rock (2016) See more »

Soundtracks

Battle Against Clown
Performed by Geinoh Yamashirogumi
See more »

Frequently Asked Questions

See more »

User Reviews

 
Landmark Japanese animation that opens boundaries and minds.
29 March 2005 | by See all my reviews

'Akira' is an astonishingly influential film, easily as much so as cinema's touchstones Citizen Kane and Pulp Fiction. Its impact is made more difficult to judge, though, given that it was made more than sixteen years ago, and didn't make an initial impact outside of Japan. Oddly, this made its influence even more profound, benefiting from 'word of mouth' and the influx of cheap VHS at the end of the Eighties. It's also gained enough of a following to warrant being digitally remastered, at a cost of over US$1 million, as a 'Special Edition,' which I am basing these comments on.

Rather than suffering the humiliation of being advertised, Akira filtered, like a software virus, into the bedrooms of what would become Generation X. Hollywood began to sit up and pay attention after teens began abandoning the pap of the day like Last Action Hero, and started seeking out something different, dissident, and Akira finally had its audience. Japanese animation now has a firm presence in our media, and so many paths lead back to the cultural genesis of Akira. Finally, its role in the history of film was cemented with the release of last year's mega-hit, the Wachowski brothers' The Matrix. Without Akira, there is no Matrix, and with no Matrix, you have to wonder how very different Western cinema would be today.

So what is Akira? It's a Japanese animated film, an adaptation of 2,000 pages worth of graphic novel by Katsuhiro Otomo and set in the futuristic world of Neo-Tokyo. Rebuilt from the ashes of World War 3, it's a technological dream of neon, computers and soaring science, mated to the social nightmare of corrupt politicians, a rampant military and an oppressed working class. Add to this the rise of a powerful breed of psychics (or 'psionics') capable of various degrees of telepathy and telekinesis, and somehow linked to a top secret military project known as Akira, and Neo-Tokyo seems ready to explode. You can almost feel the heat, the sweat, and the grime, courtesy of the borderline-masochistic attention to detail in every frame of every scene of animation.

Akira is all about hyper-reality, which later became known as bullet time. Animation, and more importantly imagination, allows impossibly kinetic and 'free' camera movement. The style rams home every car crash, explosion and death defying stunt. It's not the easiest film to watch in one sitting, nor indeed, at all, but you'll come away knowing where the inspiration behind so many late Nineties blockbusters came from. More importantly, you'll appreciate how mediums come to influence other mediums, and barriers such as language and culture can be hurdled with ease.

It's not just an action-fest either. The main arc of the story is that of Tetsuo, who begins developing psychic powers but doesn't understand what is happening to him or the responsibilities that come with such godlike power. This opens the door to some genuinely moving scenes of film-making endeavour and artistic triumph, as Tetsuo wonders if he is losing his mind and eventually lashes out against anyone and everyone. The standout scene in the whole film, for me, should be mentioned about here. Whilst under observation in a hospital bed, Tetsuo hallucinates being attacked by childhood toys. Dreams and reality are folded into each other and so it remains for much of the rest of the film. Horizons peel away and reality itself seems to disintegrate, fragment after animated fragment, as Tetsuo battles his way to downtown Neo-Tokyo and prepares to face Akira, whatever that may mean.

The only other character developed to this level is his best friend Kaneda, who in a number of small, well-judged scenes, comes across as bright, breezy, confident and heroic, and on hand to reason with Tetsuo. No matter what point Tetsuo's powers escalate to, and no matter how much he is wanted by the police and the military, Kaneda just wants his old friend back, and it is this hope of redemption which gives the film its emotional backbone.

Other strengths include the intelligent use of sound. A minimum of scoring is used: mostly Japanese drums and percussion, and some voices during dramatic parts. More interesting is the use of silence, absolute flat silence, during key moments. It fits in very well with the themes of psychic/telepathic powers, and in a more general way, the vivid hyper-reality of the film's delivery. Put it this way - when you dream, you dream in a silence of implied words, and Akira knows this too.

I thought the dialogue was excellent too. The street kids have catchy and sardonic street lingo ("Tetsuo's our friend! If anyone's going to kill him, it should be us!") The military are represented by a titanic general whose lines have gained a certain amount of hilarity during translation ("You hedonistic fools! Can't you see it is utterly pointless to fight each other!") I found myself eagerly awaiting the next punchy exchange between players, which is something that Hollywood has been missing recently. In seven out of ten films I see, the dialogue is truly awful. How difficult can it be to get two people to talk naturally?

'Akira' is not for everyone. In the first twenty minutes we have strong language, an attempted rape and the kinetic carnage of a fight between rival biker gangs. Some will simply not tolerate this in an animated movie which is, despite all efforts, going to be viewed by younger children. Even if you can stomach the unsavoury content, you might be beaten by the sheer oddness of Japanese culture. (They certainly have an unhealthy obsession with seeing Tokyo laid to waste.) But if you can skip over these points and see the overall genius of Akira, you may just appreciate Akira's place on the pantheon of modern culture.


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