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Akira (1988)

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A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.

Director:

Katsuhiro Ôtomo

Writers:

Katsuhiro Ôtomo (screenplay), Izô Hashimoto (screenplay) | 1 more credit »
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2,005 ( 150)
1 win. See more awards »

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Cast

Cast overview, first billed only:
Mitsuo Iwata ... Kaneda (voice)
Nozomu Sasaki ... Tetsuo (voice)
Mami Koyama ... Kei (voice)
Tesshô Genda ... Ryu (voice) (as Tetsusho Genda)
Hiroshi Ôtake Hiroshi Ôtake ... Nezu (voice) (as Hiroshi Otake)
Kôichi Kitamura Kôichi Kitamura ... Lady Miyako / Committee A (voice) (as Koichi Kitamura)
Michihiro Ikemizu Michihiro Ikemizu ... Inspector / Committee I (voice)
Yuriko Fuchizaki Yuriko Fuchizaki ... Kaori (voice)
Masaaki Ôkura Masaaki Ôkura ... Yamagata (voice) (as Masaaki Okura)
Tarô Arakawa Tarô Arakawa ... Army / Committee G / Eiichi Watanabe (voice) (as Taro Arakawa)
Takeshi Kusao ... Kai (voice)
Kazumi Tanaka Kazumi Tanaka ... Army (voice)
Masayuki Katô Masayuki Katô ... Engineer Sakiyama / Committe D (voice) (as Masayuki Kato)
Yôsuke Akimoto Yôsuke Akimoto ... Harukiya Bartender (voice) (as Yosuke Akimoto)
Masato Hirano Masato Hirano ... Committee F / Spy / Yûji Takeyama / Terrorist (voice)
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Storyline

Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo's supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira's secrets were buried 30 years ago. Written by Tzung-I Lin <tzung@hugo.att.com>

Plot Summary | Plot Synopsis

Taglines:

Neo-Tokyo is about to E.X.P.L.O.D.E. See more »


Motion Picture Rating (MPAA)

Rated R for graphic violence and brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan

Language:

Japanese

Release Date:

16 July 1988 (Japan) See more »

Also Known As:

Akira: The Special Edition See more »

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Box Office

Budget:

JPY 1,100,000,000 (estimated)

Gross USA:

$553,171

Cumulative Worldwide Gross:

$80,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| DTS (re-release)| Dolby (35 mm prints)| Dolby Digital (2001 re-issue)| Dolby (Dolby TrueHD 5.1)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The production budget was nearly $10 million, a record sum for a Japanese animation film. See more »

Goofs

In a long shot of Nezu discussing Kaneda's usefulness to the resistance movement with Ryu, a passing-by couple appears to be walking towards the same set of steps that Nezu and Ryu are about to descend. However, in the next shot, the couple is walking up a flight of steps on the other side of Nezu and Ryu. See more »

Quotes

Kaneda: He's not your friend, he's ours! If somebody's gonna kill him, it should be us!
See more »

Crazy Credits

Credits roll with Big Bang-like footage of stars and galaxies, in the background. See more »

Alternate Versions

The British VHS box set includes the "Production Report" and the film in Japanese language, subbed in English, the credits are in Japanese! See more »

Connections

References Blade Runner (1982) See more »

Soundtracks

Mutation
/"Ohjifuchi"
Performed by Geinoh Yamashirogumi
See more »

Frequently Asked Questions

See more »

User Reviews

 
Trademark Manga for the Western culture
23 October 2001 | by tojiSee all my reviews

Without a doubt the necessary injection of Manga culture Western audiences needed. Personal objections (or should I say appraisals) aside, Akira deconstructs the form of narrative and character development that we had all become accustomed to through Hollywood and produces a reasonably honest translation of Katsuhiro Otomo's Manga epic, with mass deletions of unnecessary characters and plot avenues. The story is complex enough to keep western audiences attention, yet simple enough to digest whilst taking in the wonderfull animation and excellent soundtrack (a collection of traditional Japanese instruments and modern day synthesised electronica that allow for elements of cinema to establish themselves for the audience) The conflict between the two main characters, Tetsuo and Kaneda is ultimately superceded by the films namesake, the mystery of the boy Akira, and as with very few films Hollywood produces it leaves it's more labour intensive thinking until the end. A delight to follow, with periods of intense action and thought provoking predictions of a neo society, one would like to think of the film as the pipe dream of one who predicted such tragic events as of September 11. Akira, whilst violent for the medium, is a lush metropolis of gang warfare, a psuedo examination into the possible, and a fantasy tale of elements long lost in modern cinema. A cool, entertaining piece littered with cult visions and awesome bikes.


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