Struggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a bloody trail across New York City.
Fred Tate is a prodigy. He's also a lonely, little boy with the emotional needs that his single mom covers. Worries about world problems gives him ulcer. He takes a quantum physics summer college class at 7.
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
Sarah Tobias goes to her local bar and is gang-raped by three men. The district attorney on the case is Katheryn Murphy who wants to prove that although Sarah had taken drugs that night and was acting provocatively while in the bar, this is no reason for her to be so brutally attacked and the men responsible should be brought to justice.Written by
Sami Al-Taher <firstname.lastname@example.org>
At the beginning, when Sarah is running from The Mill, the third car that passes by- a red sedan- is sounding the horn while the driver has both hands on top of the steering wheel. See more »
[Larry tries to kiss Sarah]
When are you going to get over this? Because it's getting really boring!
Fine. I'll be back in a couple of hours.
No. This is my house, and I don't want you in it. Get out!
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Not that much of a movie... but Foster's performance wins it all.
Perfectly knowing that a lot of people would get inspired, personally relate or cite examples from this film, there is no reason to deny that except for the rape victim Sarah Tobias, all the other main characters, even attorney Kathryn Murphy, are written blatantly as stereotypical as they can be. Same can be said about the atmosphere, circumstances and the participators of the incident. The screenwriters have played only one masterstroke by showing the whole rape incident much later in a flashback, which perhaps helps us to relate better to the victim's emotions.
However predictable and blunt the film appears in its formation, it delivers it message right with the help of the outstanding (and Oscar-winning) performance of Jodie Foster. She just plays her part with so much passion that sometimes it would seem that she really IS the victim. I wonder how she could get such a driving force for her role which is so powerful and vengeful, yet so helpless and fragile. It is the performance of her career, Clarice Sterling doesn't even come in comparison. Her job in this film should be treated as educational material.
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