After a young woman suffers a brutal gang rape in a bar one night, a prosecutor assists in bringing the perpetrators to justice, including the ones who encouraged and cheered on the attack.
Sarah Tobias goes to her local bar and is gang-raped by three men. The district attorney on the case is Katheryn Murphy who wants to prove that although Sarah had taken drugs that night and was acting provocatively while in the bar, this is no reason for her to be so brutally attacked and the men responsible should be brought to justice.Written by
Sami Al-Taher <staher2000@yahoo.com>
For research, Kelly McGillis spent time with the actual New York District Attorney who prosecuted her rape case following a violent sexual assault by two men in 1982. "I learned there's a level of detachment because you can't become emotionally invested in everything you do; otherwise, you'd be absolutely exhausted and probably suicidal." McGillis later stated. See more »
Goofs
When Sarah, after the rape, goes back to The Mill, her red car is first shown dry and shiny and without a rear license plate. A few seconds later, in a close-up shot, we see the same car is wet from rain drops and with the license plate 'SXY SADI' on the back. See more »
Perfectly knowing that a lot of people would get inspired, personally relate or cite examples from this film, there is no reason to deny that except for the rape victim Sarah Tobias, all the other main characters, even attorney Kathryn Murphy, are written blatantly as stereotypical as they can be. Same can be said about the atmosphere, circumstances and the participators of the incident. The screenwriters have played only one masterstroke by showing the whole rape incident much later in a flashback, which perhaps helps us to relate better to the victim's emotions.
However predictable and blunt the film appears in its formation, it delivers it message right with the help of the outstanding (and Oscar-winning) performance of Jodie Foster. She just plays her part with so much passion that sometimes it would seem that she really IS the victim. I wonder how she could get such a driving force for her role which is so powerful and vengeful, yet so helpless and fragile. It is the performance of her career, Clarice Sterling doesn't even come in comparison. Her job in this film should be treated as educational material.
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Perfectly knowing that a lot of people would get inspired, personally relate or cite examples from this film, there is no reason to deny that except for the rape victim Sarah Tobias, all the other main characters, even attorney Kathryn Murphy, are written blatantly as stereotypical as they can be. Same can be said about the atmosphere, circumstances and the participators of the incident. The screenwriters have played only one masterstroke by showing the whole rape incident much later in a flashback, which perhaps helps us to relate better to the victim's emotions.
However predictable and blunt the film appears in its formation, it delivers it message right with the help of the outstanding (and Oscar-winning) performance of Jodie Foster. She just plays her part with so much passion that sometimes it would seem that she really IS the victim. I wonder how she could get such a driving force for her role which is so powerful and vengeful, yet so helpless and fragile. It is the performance of her career, Clarice Sterling doesn't even come in comparison. Her job in this film should be treated as educational material.