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Disaster befalls the UK under a seemingly corrupt Conservative government. The Labour Party is elected - but committed to radical change, under a firmly left-wing leader. That's not supposed... Read allDisaster befalls the UK under a seemingly corrupt Conservative government. The Labour Party is elected - but committed to radical change, under a firmly left-wing leader. That's not supposed to happen. Who will save the traditional rulers?Disaster befalls the UK under a seemingly corrupt Conservative government. The Labour Party is elected - but committed to radical change, under a firmly left-wing leader. That's not supposed to happen. Who will save the traditional rulers?
- Won 4 BAFTA Awards
- 6 wins & 4 nominations total
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10masonx
Very fine underrated british drama released in 1988 and now sadly passed into oblivion. Alas by all accounts there are no copies on video or dvd. The story focuses on one Harry Perkins. Former coal miner and popular left wing leader of the british parliamentary labour party. Following a landslide election he is soon to be sworn in as prime minister of Great Britain and Northern Ireland, first lord of the treasury and the Kings first minister, with whom he appears to get along fine. Others however take more convincing. His arrival to say the least causes consternation amongst the mandarins of the civil service and their underlings, a few media barons not to mention the white house, britains NATO allies, the head of the BBC and a few others besides. It is not an auspicious beginning. Their main concern of course is how far left the Kings new first minister is going to take them. Old Harry has a few radical policy changes in mind which is sure to rattle a few established institutions and practises of whom he is quite prepared to ignore. He has a manifesto to follow, promises to keep his electorate and more important matters to ponder over. It is then that a few partisan members of his own intelligence service together with a powerful media baron(shades of R.Murdoch) decide to take matters into their own hands and initiate measures to ensure that Harry Perkins is brought back into line. They do this in the most unsubtle ways. Like opening his mail, prying into his past life and even manipulating his bank accounts to show unaccounted deposits. To a wider degree and on a more machiavellian scale they also manipulate the head of one powerful union and there is suspicion about their involvement in the unexpected death of the PM's chief scientific adviser on the eve of an important meeting. Most of this is accomplished through the old boy network within the civil service and other organs of the government where the 'old school tie' comes into prominence. It is the start of a very british coup...! Harry of course is not entirely ignorant of this skullduggery behind his back and pretty much knows who is behind it. He bides his time and with only a few trustworthy helpers in his inner circle including the blunt spoken chief of his security detail, he ponders over how to foil their plans and pinpoint the traitors in their midst. Enough said.
This is an amazingly good drama as only the brits can produce these days. Ray McAnally shines in his portrayal of the politically savvy and down to earth Harry Perkins. It is one of his best roles and sadly one of his last. Alan McNaughton stands out also as Sir Percy Browne the treasonous MI5 chief and Tim McInerney as his able but weasley paranoid assistant Fiennes. It is a story of excessive political manipulation at its worst and written by Chris Mullin at the height of the Thatcher years when despite the economic upturn only a few people were actually benefiting from it. It was also a time when Great Britain had never actually been so close to the USA in their foreign, defence and economic policies. Thatchers close working relationship with Reagan outlined all that very clearly. Hopefully the drama will be released in video form so that others can also appreciate this low budget but very canny political tale.
This is an amazingly good drama as only the brits can produce these days. Ray McAnally shines in his portrayal of the politically savvy and down to earth Harry Perkins. It is one of his best roles and sadly one of his last. Alan McNaughton stands out also as Sir Percy Browne the treasonous MI5 chief and Tim McInerney as his able but weasley paranoid assistant Fiennes. It is a story of excessive political manipulation at its worst and written by Chris Mullin at the height of the Thatcher years when despite the economic upturn only a few people were actually benefiting from it. It was also a time when Great Britain had never actually been so close to the USA in their foreign, defence and economic policies. Thatchers close working relationship with Reagan outlined all that very clearly. Hopefully the drama will be released in video form so that others can also appreciate this low budget but very canny political tale.
10ed-627
Harry the Steelworker... it could have happened... discontent was growing with Maggie and her ilk. Where would be now? I for one would have voted for Harry.. totally believable in almost every respect, including the scenes with our American "friends". Harry could be as hard as steel (excuse the pun) but his heart was totally in the right place. Ray McAnnaly was born to play this role. And the musical score... what more could be said... I believe it won a major (well deserved) reward.. and quite rightly so...
This must rank as one of the best Dramas in British Television History. I have no hesitation in calling this a classic. Totally deserved.
This must rank as one of the best Dramas in British Television History. I have no hesitation in calling this a classic. Totally deserved.
Ray McInally stars in a three-part miniseries, "A Very British Coup," from 1988.
The story is set in the 1990s, when the Conservatives are ousted from power by Labour, and the new Prime Minister, Harry Perkins (McInally) is one of the common folk, a steelworker and union organizer. One of the common folk, but no dummy. He plain-speaking, down to earth, and his heartfelt speeches and ambitions for the country are met with a large mandate from the public. The Conservatives, of course, are miserable. Harry for one thing isn't part of the good old boy network, and his socialist policies are viewed as disturbing. The other side, the Establishment, goes to work with the help of MI5, the CIA, and the tabloids, to bring him to his knees.
Excellent three-parter done with a wonderful performance by McInally, who died shortly after this. His character displays both political and street smarts, as well as a sense of humor and a keen understanding of how he is viewed by the Establishment.
Very, very enjoyable, and could easily have been filmed a day ago. That's one thing about films and TV shows about politics going back to the classic film days -- it seems that nothing has changed in the world of political chicanery.
The story is set in the 1990s, when the Conservatives are ousted from power by Labour, and the new Prime Minister, Harry Perkins (McInally) is one of the common folk, a steelworker and union organizer. One of the common folk, but no dummy. He plain-speaking, down to earth, and his heartfelt speeches and ambitions for the country are met with a large mandate from the public. The Conservatives, of course, are miserable. Harry for one thing isn't part of the good old boy network, and his socialist policies are viewed as disturbing. The other side, the Establishment, goes to work with the help of MI5, the CIA, and the tabloids, to bring him to his knees.
Excellent three-parter done with a wonderful performance by McInally, who died shortly after this. His character displays both political and street smarts, as well as a sense of humor and a keen understanding of how he is viewed by the Establishment.
Very, very enjoyable, and could easily have been filmed a day ago. That's one thing about films and TV shows about politics going back to the classic film days -- it seems that nothing has changed in the world of political chicanery.
Imagine a working class steelworker from a council flat in Sheffield,winning a landslide election victory. On a policy of telling the truth removing all nuclear deterrence and using the money to create jobs improve the NHS and schools. How that would throw the establishment. And here we have the premise for a Very British Coup. This may hay have been made 30 years ago but it is as relevant today as it was then. The late Ray Mcaulley is fantastic in the lead role and the support cast including a young Kieth Allen are all superb. A timeless classic.
A left wing candidate is elected after a hard fought campaign by his right wing rivals. No I am not talking about the 2008 U.S. Presidential election. That is the in fact the beginning of A Very British Coup, an excellent and all too plausible miniseries about a left wing British Prime Minister who radical policies lead to members of the right wing establishment trying to bring him down. In fact it for interesting viewing especially in today's world.
Any good production needs a good cast and A Very British Coup has an excellent cast. Ray McAnally gives the greatest performance of his all too short career as Prime Minister Harry Perkins. McAnally captures perfectly the plain-spoken, charismatic leader in both good times and bad. As Perkins, McAnally makes you want to stand up and cheer for him especially with his final speech. McAnally of course is just the tip of the cast. As Perkins biggest enemy is Alan MacNaughtan as Sir Percy Browne, the almost and quietly threatening head of MI5 who sits at the center of the web of conspiracy to bring down Perkins. The supporting cast is made up of some Britain's finest actors from Keith Allen to Tim McInnery, Philip Madoc, Marjorie Yates, Geofrey Beevers, Jim Carter and Oscar Quitak amongst others. Even in small parts like Inspector Page (Bernard Kay) and Annette Newsome (Caroline John) are filled with terrific actors.
The real star of A Very British Coup is its script. Alan Plater takes Chris Mullin's novel and crafts it into a fascinating study of a government under siege from within. Often in political films or series the plot takes head over the dialogue which leads to stifled dialogue. Plater doesn't let that happen and the dialogue never seems stifled but real and urgent. In fact the whole script seems real and urgent despite some of the issues being dated (such as nuclear disarmament). The fascinating thing about watching this is that change an issue or two and this could be today. The result is a story that has the ability to fascinate some twenty years later.
Another important aspect of the productions is its visuals. Director Mick Jackson and cinematographer Ernie Vincze use the camera and screen time wisely. The result is that A Very British Coup is as much a visual feast as anything else with moments in parts two and three that stand out even today. The miniseries is, as a result, a dark and grainy world full of enemies and thinly veiled threats. This even truer when combined with the music of John Keane and the performances of the cast.
The result of all this from the exceptional performance of Ray McAnally, the performances of the cast, an excellent script that's all too plausible and a visual feast makes A Very British Coup a first rate political thriller. It may be twenty years old and somewhat dated at times but it makes a fascinating viewing that still carries weight today. For at its heart A Very British Coup carries an important and time less message: the greatest enemy of a democracy is not from without but from within. It's a message we shouldn't ignore.
Any good production needs a good cast and A Very British Coup has an excellent cast. Ray McAnally gives the greatest performance of his all too short career as Prime Minister Harry Perkins. McAnally captures perfectly the plain-spoken, charismatic leader in both good times and bad. As Perkins, McAnally makes you want to stand up and cheer for him especially with his final speech. McAnally of course is just the tip of the cast. As Perkins biggest enemy is Alan MacNaughtan as Sir Percy Browne, the almost and quietly threatening head of MI5 who sits at the center of the web of conspiracy to bring down Perkins. The supporting cast is made up of some Britain's finest actors from Keith Allen to Tim McInnery, Philip Madoc, Marjorie Yates, Geofrey Beevers, Jim Carter and Oscar Quitak amongst others. Even in small parts like Inspector Page (Bernard Kay) and Annette Newsome (Caroline John) are filled with terrific actors.
The real star of A Very British Coup is its script. Alan Plater takes Chris Mullin's novel and crafts it into a fascinating study of a government under siege from within. Often in political films or series the plot takes head over the dialogue which leads to stifled dialogue. Plater doesn't let that happen and the dialogue never seems stifled but real and urgent. In fact the whole script seems real and urgent despite some of the issues being dated (such as nuclear disarmament). The fascinating thing about watching this is that change an issue or two and this could be today. The result is a story that has the ability to fascinate some twenty years later.
Another important aspect of the productions is its visuals. Director Mick Jackson and cinematographer Ernie Vincze use the camera and screen time wisely. The result is that A Very British Coup is as much a visual feast as anything else with moments in parts two and three that stand out even today. The miniseries is, as a result, a dark and grainy world full of enemies and thinly veiled threats. This even truer when combined with the music of John Keane and the performances of the cast.
The result of all this from the exceptional performance of Ray McAnally, the performances of the cast, an excellent script that's all too plausible and a visual feast makes A Very British Coup a first rate political thriller. It may be twenty years old and somewhat dated at times but it makes a fascinating viewing that still carries weight today. For at its heart A Very British Coup carries an important and time less message: the greatest enemy of a democracy is not from without but from within. It's a message we shouldn't ignore.
Storyline
Did you know
- TriviaAll the cars have 'J' registration plates. The series was made in 1988 when the current registration letter was 'E'; the producers obtained permission to use fake car registration plates to establish that the action was set in the future.
- ConnectionsEdited into Masterpiece: A Very British Coup (1989)
- SoundtracksGreat Mass in C Minor
Composed by Wolfgang Amadeus Mozart (as Mozart)
Performed by London Symphony Orchestra & London Symphony Chorus
Conducted by Colin Davis
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- Очень британский переворот
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