The Red Dwarf investigates an ocean ship, The Esperanto, where they find the ship's crew have all committed suicide, and are attacked by a sea monster called The Despair Squid. Later they wake up to ...
After investigating a abandoned research complex on a ice planet. Lister, Cat and Kryten returns to Red Dwarf only to find Rimmer has been infected with an electronic virus and he has taken over Red ...
An unambitious slob from Liverpool has been awakened from a high-tech stasis chamber 3 million years in the future to find he may be one of the last humans alive. Hopelessly lost in space, this crew of mostly sad-act bachelors kill time and share adventure aboard the mining ship Red Dwarf.Written by
The Tin Man from the L. Frank Baum novel "The Wizard of Oz" is considered a possible influence behind Kryten. In the novel, Tin Man, a man made from tin desires to have a heart because he believes it could make him more human. See more »
Do you think Silicon Heaven is the same place as Human Heaven?
Human Heaven? Ha! Someone invented that so you wouldn't go nuts!
See more »
In the intro sequence of Series 1 and 2, a man in a spacesuit (Lister) is seen painting the exterior of Red Dwarf and the camera pulls back to reveal the Red Dwarf spaceship and we see Red Dwarf flying towards the black void of space and Series 3 - onwards, a montage of the episodes from each season is seen during the intro sequence. See more »
To celebrate the 10th anniversary of the show, the first 3 series have been remastered in widescreen with new sequences, new digital special effects and new wooshy noises! All 18 episodes are on VHS in the UK, and the first 6 have been shown on the BBC. See more »
The most original comedy of the last twenty years.
Where to start? The writing, the cast, the effects . . . superb.
Firstly, the writing. The situation is so unbelievable it works. Three million years out into deep space, with the unlikeliest crew you could find. And bizarre and funny things just keep happening. The secret? You might ask the same question of previous comedy greats. It just is.
The effects - especially since remastering - are breathtaking. I don't know how "true to life" it is, but it doesn't need to be. Seeing Starbug come crashing through the cargo bay doors is a joy to behold.
And the cast. Sensational. Chris Barrie (Rimmer) is the outstanding comedy actor of his generation. With the possible exception of Rowan Atkinson, I don't think there's a single man alive who could play the smeghead so well.
Equally, Craig Charles as Lister - a complete slob who is in fact the most decent person among the crew. A beautiful irony, and Charles focuses on the slob part so well that we tend to forget the character's decent side. This is not a bad thing - quite the reverse. When the decent side does appear, it is all the more prominent for it.
Norman Lovett (1-2, 8) and Hattie Hayridge (3-5) as Holly, the computer. I prefer Lovett's take, and don't fully understand why he was replaced. Hayridge did a fine job (indeed there's some moments that Lovett couldn't have done), but Lovett is the definitive Holly. He has the comic face for it.
Not forgetting Robert Llewellyn as the guilt-happy mechanoid Kryten, who overacts beautifully, as does Danny John-Jules as the vainest life form ever to have existed. Brilliant.
These ingredients made Red Dwarf amazing. Rob Grant and Doug Naylor's writing collaboration was a thing of beauty. As a team, they function superbly.
Unfortunately, the opposite is also true. Something's missing when they're not together. Series 7 had its moments, but was distinctly lacking - not least because Chris Barrie was in less than half the episodes. Series 8, it dropped even further. Barrie was back, but that was the only plus. Bringing the entire crew back was a very big mistake.
Overall? I'd say 8/10 for originality and sheer zaniness!
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