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From England to Egypt, accompanied by his elegant and trustworthy sidekicks, the intelligent yet eccentrically-refined Belgian detective Hercule Poirot pits his wits against a collection of first class deceptions.
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Top Rated TV #139 | Nominated for 1 Primetime Emmy. Another 6 wins & 16 nominations. See more awards »

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Cast

Series cast summary:
...  Hercule Poirot 70 episodes, 1989-2013
...  Captain Hastings / ... 43 episodes, 1989-2013
...  Chief Inspector Japp / ... 40 episodes, 1989-2013
...  Miss Lemon 32 episodes, 1989-2013
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Storyline

This whodunit series based on Agatha Christie's crime novels and short stories, is named after its star sleuth, Hercule Poirot, a famous former Belgian policeman, who settled for good in London after the war, soon so famous as an infallible private detective that he becomes a society figure in his own right. In each episode Poirot gets to solve a crime mystery -mostly murder(s)- for a paying client or otherwise catching his attention, generally along with his faithful English sidekick Captain Hastings and/or his Scotland yard 'friendly rival' Detective Chief Inspector Japp. Written by KGF Vissers

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Certificate:

TV-14 | See all certifications »

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Details

Official Sites:

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Release Date:

18 January 1990 (USA)  »

Also Known As:

Hercule Poirot  »

Company Credits

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Technical Specs

Runtime:

(14 episodes) | (36 episodes) | (20 episodes)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Story changes were often made to present female characters in a more sympathetic or heroic light (at odds with Agatha Christie's characteristic gender-neutrality in her novels). See more »

Quotes

[repeated line]
Captain Hastings: I say, Poirot!
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Crazy Credits

The opening credits has Poirot disembark at a train station and bow to the viewer. See more »

Connections

Referenced in I'm Alan Partridge: The Colour of Alan (2002) See more »

Frequently Asked Questions

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User Reviews

 
Heart breaking it had to end.
22 October 2015 | by See all my reviews

I literally grew up with Poirot, Sunday nights as a nine and ten year old were all about Poirot, Pistachio nuts, Terry's Pyramint.

The productions evolved over time, the early hour long format episodes were much lighter viewing, over time they became more gritty, more daring. One good example is Series 3's Plymouth Express, a much darker presentation they anything that had gone before. By the time you reach Elephants can remember in Series 13 there was something very dark about the production.

I would imagine it became more difficult for the producers over time, they were able to cherry pick adaptations during the early years, some books were much more suitable to the screen then others, The ABC murders and Death in the Clouds would have been so much easier to work with then say The Big Four or Cards on the Table.

The adaptations remained fairly faithful to the book, there was never a fear of them doing what they did with the Marple series, and transplant Poirot into novels he was never intended to be in, for a good reason each of her works had a certain flavour. A few times changes were made to the books, I can only imagine for good reason, too many characters, budget restraints etc. The Big Four and Appointment with death being altered more then some.

So good was David Suchet in the role, that now when you think of Poirot you see David in your mind. I think it will be a while before someone attempts to remake Poirot for the small screen. David had a lot to live up to, Poirot had hit the big screen, Murder on the Orient Express and Death on the Nile had both been huge adaptations, the remakes both compete favourably. Suchet is Poirot.

Characters were switched and added quite a lot, Hastings, Japp and Miss Lemon were often drafted in, but in later years that wasn't the case. It's hardly surprising as each is so enjoyable. Watching them all reunite in 'Lord Edgeware dies' was special.

Generally the productions were very good to excellent, for me at the top of the pile are The ABC Murders, Curtain and Sad Cypress, each are literally flawless. The Murder of Roger Ackroyd and The Big Four are two of the relatively few lesser offerings, with the only true misfire being Murder in Mesopotamia.

For years I hoped for the productions to be completed, at times it seemed like they'd never get through them, I'm so glad they did, but I am missing him.

Who knows maybe one day The Monogram Murders will be made, not a Christie story I know, but it would be worth it to see Poirot anew once again. This truly was a fabulous series. 10/0


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