Alan B'Stard's reputation as the most right-wing Tory MP in the House is under threat: Working class fatso Victor Crosby has just won the Accrington by-election for the Conservatives and, through his...
A series of self contained TV films starring performers from London's "Comic Strip" comedy club and their friends. Noted for a high sense of parody of previous films, literature, and generally everyone in sight.
Richie buys an inflatable doll named Monica as his lover, and he tries to conceal it from Eddie. But it all goes terribly wrong when Richie accidentally super glues Monica to his groin, mistaking Eddie's super glue for Handcream.
Tells the adventures of Conservative MP Alan B'Stard, a man who doesn't have any morals at all. He stops at nothing to make himself richer and more powerful in the party and is involved in drugs, adult films, fraud (making up charities with the initials C.A.S.H when writing on cheques) and even murder but believes that he will never be caught as he is a Conservative MP and therefore all powerful. He has almost complete power over another MP - Piers Fletcher-Dervish who is nearly completely brainless. His wife Sarah B'Stard has very loose morals (both of them have affairs mostly every day) and has hated her husband from five minutes after they got married and tries to use Alan to get anything she wants. Each episode contains recent news items and Alan moves with the times with things like the end of the cold war, the Nazi hunt in the late 80's as well as the Animal Freedom Party. Keeping up with the huge amount of cash, Alan moves (in the 4th season) to the European Union to continue ...Written by
Lee Horton <Leeh@tcp.co.uk>
"The New Statesman" is a wonderfully corrupt creation from two men known previously only for their 'nice' comedy...
I'm referring in the above summary to horribly bland and safe output like "Birds of a Feather". Thankfully, this is the polar opposite of such nauseous bonding, and shows us that these two guys CAN write terrifically insightful and acerbic comedy if they pull their finger out.
Ably assisting them is the often sublime Rik Mayall, here ditching the over-the-top lunatic quality that made him famous, in favour of a more insiduously subtle style, and boy is it hilarious! There are also some fantastically observed secondary characters present too; but there's no doubt about it, Alan is the star of the show, and he's gleefully nasty.
A comedy series that arrived in the UK at just the right time to skewer Thatcher's horrendously selfish government, this is often uproariously funny. A great and sadly underappreciated half-hour, with loads more 'bite' and 'bile' than many of its contemporaries or contenders.
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