Young Prince Caspian of Narnia wonders and dreams about the old days of Narnia when animals talked, and there were mythical creatures and four rulers in Caer Paravel. But his uncle and aunt... See full summary »
Jonathan R. Scott,
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
In World War, the four Pevenses children: Peter, Susan, Edmund, and Lucy are evacuated from London to the country house of an eccentric old professor. There, bored and restless, first Lucy and Edmund, and then all four of the kids make their way through an attic wardrobe in Narnia, a magical land of mythical creatures and talking animals. But Narnia is not perfect: it's always winter and never Christmas since the White Witch began her rule. And there are evil creatures as well as good, and a traitor in their midst. Only the return of Aslan can bring victory in the coming battle to win spring and freedom back to Narnia. 3x54min episodes.Written by
Cair Paravel means "the lower court", from the Welsh "caer" meaning a fort and the old French "paravail" meaning either "lower" or "in the valley". See more »
When Peter is mad at Edmund for lying about being in Narnia before, his hair is moving free in the wind. In the next scene, that is at the same time period, his hair is gelled down and styled. See more »
Brilliant, evocative, memorable, classic. A bit cheap.
The criticisms of this BBC adaption, made as the first in what proved to be a set of four of C.S. Lewis' books are largely unfair. The budget was small - by American standards, at the time in the UK it was positively lavish - and the effect achieved given these constraints and the fact that the show is now almost 15 years old is pretty impressive. The adaption is an even-handed one, the leads are relatively engaging the animals don't look at all bad with Aslan clearly having the majority of the budget for the whole show lavished on him. Only those drunk on the slick fantasy effects of the 90's could complain. Above all Barbara Kellerman is the standout, however, as the White Witch, sending a chill into the hearts of even the most confident of seven year olds; as I was when this was first shown on British television. As far as I'm concerned the whole series was seminal. They don't make them like this anymore - though some would say thank goodness.
Narnia requires a big-budget adaption for the big screen. But until that comes along this is easily the best screen version of C.S. Lewis' best known story out there. And the music is absolutely fantastic.
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